Discussion in 'Music Corner' started by bigmikerocks, Jul 5, 2012.
Simply means the record was pressed with stampers from a first cutting and a later cutting.
Blackie said: ↑
Both this and my darker gold label of Strange Days (CP-1)/(CP-1) also have a very small handwritten mark (might be mastering engineer's initials?) in the deadwax that is indistinguishable.
Coming back to this old thread, since I've been working on upgrading my Doors LPs. I just noticed this similarity in comparing three mono s/t albums (the Monarch 'upgrade' I got off ebay is going back in the mail this morning, it was traaaashed). Has anyone figured out what that tiny signature is yet?
All three pressings I compared (the Monarch, an Allentown, and a "COL" pressing) definitely had lacquers prepared by the same person, judging by the style probably at the same time ... so my guess is the tiny sig must be someone from Madison Sound in New York, since W.B. noted many lacquers for the first two discs were cut there. And, interestingly, despite that the three I comped this morning sounded different. The Monarch was the best -- it was a (MON), not an (M) -- the Columbia was close and the Allentown far behind.
The thread started by Raunchnroll's that's linked earlier in this one definitely explains why the Columbia pressing I have compared well to the Monarch I checked it against -- the Monarch must have been one of the later LEDO copies.
I can understand the first lp sounding better than the new AP 45 due to the master tape being damaged and not used. However, on the remaining albums, my ears vote for the 45 rpm vinyl versions.
The Analogue Productions Doors reissues (45rpm) look and sound superb!
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