just received original BACK IN BLACK CD; please view

Discussion in 'Music Corner' started by love4another, Mar 22, 2012.

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  1. dead of night

    dead of night Senior Member

    Location:
    Northern Va, usa
    I am getting all my information from post #15 in this thread. I am trying to learn the details so I can be sure to purchase a great sounding mastering of this hard rock classic.
     
  2. moops

    moops Senior Member

    Location:
    Geebung, Australia
    OK ........ It's been awhile since I've had a decent headache, so I'll fire the first shot. This is my copy of Back In Black.

    Atlantic 16018-2
    Europe 050 735
    MADE IN USA by WEA MANUFACTURING INC (around bottom edge of disc)
    1980 Leidseplein Presse B.V.
    1980 Atlantic Recording Corporation
    Printed in U.S.A.
    No barcode

    MATRIX : 3 16018-2 SRC+05 M3-S9

    EAC LEVELS : 87.0 / 87.0 / 87.0 / 87.0 / 87.0 / 87.0 / 89.1 / 87.0 / 87.0 / 87.0


    :wave:
     
  3. KeithH

    KeithH Success With Honor...then and now

    Location:
    Beaver Stadium
    Thanks. I don't recall reading about the different masters before. Hopefully we can sort it out here.
     
  4. ivan_wemple

    ivan_wemple Senior Member

    C'mon, Dave... much better? It's the same mastering fer cryin' out loud. I will happily acknowledge that pressing differences can yield subtle sonic differences, but "much" better is really a stretch.
     
  5. whatnow?

    whatnow? Forum Resident

    Location:
    San Antonio, Texas
    AC/DC Back in Black Manufactured by Victor Company of Japan Ltd.

    X Lossless Decoder version 20120226 (139.1)

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  6. ricks

    ricks Senior Member

    Location:
    127.0.0.1:443

    Ivan, Even Barry the noted proponent of digital identical discs sounding different has said the differences themselves are extremely slight at best and that mastering is all that counts. For Mr Hoffman's point of view see my sig.

    Now in other threads stuff like this:

    :shake:

    I'd love to know Mr Hoffman's opinion on that but my guess is he is smart enough to stay far away....
     
  7. KeithH

    KeithH Success With Honor...then and now

    Location:
    Beaver Stadium
    Yeah, we need to stay away from the hyperbole when comparing discs with the same mastering.
     
  8. dbz

    dbz Bolinhead.

    Location:
    Live At Leeds (UK)
    Keith, Roland found an un-remastered Atlantic German Cd which didn't have the the same peak levels as Barry's mastering (which is generally 87%). I think this is the thread we have all been looking for. I also believe those Gold 40 Atlantic Cds used this other mastering, as well as the one with Catalogue 7567-81472-2.

    Rolands post http://www.stevehoffman.tv/forums/showpost.php?p=2921883&postcount=194

    Thread- http://www.stevehoffman.tv/forums/showthread.php?t=112245

    I also think that the US Atlantics and Japan 32XD and 20P2 were all shown to be Barry's mastering.
     

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  9. eelkiller

    eelkiller One of the great unwashed

    Location:
    Northern Ontario
    I have the numbers for the Albert CD's somewhere, they do differ from the ones in the post above.
     
  10. KeithH

    KeithH Success With Honor...then and now

    Location:
    Beaver Stadium
    Thanks for the info. So it seems that this non-Diament mastering was only released in Europe. I wonder if it was first issued as the gold CD and then was used subsequently for aluminum CDs. If that's the case, it could be very common in Europe since the first official remaster came along years later.
     
  11. dbz

    dbz Bolinhead.

    Location:
    Live At Leeds (UK)
    Correct, this mastering seems unique to Europe.
     
  12. KeithH

    KeithH Success With Honor...then and now

    Location:
    Beaver Stadium
    Thanks again.
     
  13. love4another

    love4another Forum Resident Thread Starter

    WOW you guys get way too technical. I don't have a clue what you are going on about.

    To me i don't care about graphs etc; does this pressing sound as good as others; simple.
    cheers
     
  14. KeithH

    KeithH Success With Honor...then and now

    Location:
    Beaver Stadium
    I don't care about the graphs so much either, but others do, so let them post them. The graphs can help folks make their point about the mastering, and that's fine.

    EAC peak levels are helpful to determine if various discs have the same or different mastering. Good info. there.

    Opinions on mastering are just that. Opinions.
     
    rock76 likes this.
  15. Wow, I am gone for half a day and all that old info is being found and dug up. Great work, guys!

    Whenever I use the term "clearly inferior" you can be assured that I am never referring to pressing differences. I am only using this term if there are indeed very very noticeable mastering differences. I try to be somewhat consistent when I am describing mastering differences, although it is sometimes difficult.
     
  16. There is only one table shown in this thread, so only one graph.

    No waveform was posted in this thread, not necessary.

    What people often do here is, they compare different masterings of the same album on CD. Sometimes, one specific mastering is identified to have the best overall sound (at least by the opinion of a strong majority).

    Then other people want to find that specific mastering on CD, which usually appears on different pressings from different countries.

    A good example would be the recent Bruce Springsteen "Born to Run" thread. One mastering was identified (by Steve Hoffman, by the way) as the best sounding one. So other people want to check if they own that specific CD mastering.

    Checking the peak levels is a quite safe way to identify if a CD has the same mastering (as long as the peak levels are not all 100% = 0 dB).

    There are tools with which you can check the peak levels (like EAC).

    To make the peak levels easier to view and compare, some people put them in tables and give them different colors for easier viewing.

    It is indeed quite helpful. But the numbers don't say anything about the sound, but they are used for identification purposes.

    Wave-forms are also used sometimes. You can't tell from a wave-form if a CD sounds good. But you can see somewhat (not precisely, of course) if the dynamic range of the CD was somehow reduced by means of additional compression and/or limiting during the mastering process (I am not talking about compression/limiting used during the recording, which is different).

    Wave-forms are only useful for people who are sensitive to CD's with reduced dynamic range. If you don't care all that much about dynamic range as long as the music is not totally brick-walled, the wave-forms will not be of much help/use for you. You can simply ignore them.

    I personally think that these things are helpful, and I do use them.
     
    rock76 likes this.
  17. eelkiller

    eelkiller One of the great unwashed

    Location:
    Northern Ontario
    Two other masterings:


    Albert Japan

    Track 1

    Peak level 70.1 %
    Extraction speed 14.9 X
    Test CRC 6F2E2AA2
    Accurately ripped (confidence 5) [56C17B2F] (AR v1)
    Copy finished

    Track 2

    Peak level 82.8 %
    Extraction speed 21.3 X
    Test CRC 4DEC464B
    Accurately ripped (confidence 5) [174E7E06] (AR v1)
    Copy OK

    Track 3

    Peak level 87.3 %
    Extraction speed 23.2 X
    Test CRC 705447AF
    Accurately ripped (confidence 5) [388B2945] (AR v1)
    Copy OK

    Track 4

    Peak level 86.7 %
    Extraction speed 24.7 X
    Test CRC 11EA6AB5
    Accurately ripped (confidence 5) [C8E13A8A] (AR v1)
    Copy OK

    Track 5

    Peak level 71.0 %
    Extraction speed 26.1 X
    Test CRC 754A3CD8
    Accurately ripped (confidence 5) [2EB688C7] (AR v1)
    Copy OK

    Track 6

    Peak level 84.3 %
    Extraction speed 27.6 X
    Test CRC 2EB9200E
    Accurately ripped (confidence 5) [0DB2E798] (AR v1)
    Copy OK

    Track 7

    Peak level 86.0 %
    Extraction speed 28.9 X
    Test CRC F9B5A165
    Accurately ripped (confidence 5) [0E2E4E0C] (AR v1)
    Copy OK

    Track 8

    Peak level 92.4 %
    Extraction speed 30.1 X
    Test CRC 0874ABF2
    Accurately ripped (confidence 5) [85D60946] (AR v1)
    Copy OK

    Track 9

    Peak level 86.5 %
    Extraction speed 31.3 X
    Test CRC 440CFDE2
    Accurately ripped (confidence 5) [67BE2A08] (AR v1)
    Copy OK

    Track 10

    Peak level 85.4 %
    Extraction speed 32.6 X
    Test CRC C316471E
    Accurately ripped (confidence 5) [687E03B1] (AR v1)
    Copy OK

    Albert Australia

    Track 1

    Peak level 78.7 %
    Extraction speed 14.6 X
    Test CRC 689BA82B
    Accurately ripped (confidence 4) [C7FA87A9] (AR v1)
    Copy finished

    Track 2

    Peak level 92.9 %
    Extraction speed 20.7 X
    Test CRC 8A18C526
    Accurately ripped (confidence 4) [BCA9088D] (AR v1)
    Copy OK

    Track 3

    Peak level 97.9 %
    Extraction speed 22.6 X
    Test CRC 5832C2CB
    Accurately ripped (confidence 4) [FAE90276] (AR v1)
    Copy OK

    Track 4

    Peak level 97.3 %
    Extraction speed 24.0 X
    Test CRC BA2243E7
    Accurately ripped (confidence 4) [57A663C8] (AR v1)
    Copy OK

    Track 5

    Peak level 79.7 %
    Extraction speed 25.4 X
    Test CRC 023565F7
    Accurately ripped (confidence 4) [1E9B2A0E] (AR v1)
    Copy OK

    Track 6

    Peak level 94.6 %
    Extraction speed 26.9 X
    Test CRC AF1E2ABB
    Accurately ripped (confidence 4) [FC21BCCE] (AR v1)
    Copy OK

    Track 7

    Peak level 96.5 %
    Extraction speed 28.2 X
    Test CRC 85AC16F8
    Accurately ripped (confidence 4) [46C494BA] (AR v1)
    Copy OK

    Track 8

    Peak level 100.0 %
    Extraction speed 29.3 X
    Test CRC BBB9AE1B
    Accurately ripped (confidence 4) [FEB4082D] (AR v1)
    Copy OK

    Track 9

    Peak level 94.8 %
    Extraction speed 30.6 X
    Test CRC A2437FE3
    Accurately ripped (confidence 4) [727A7988] (AR v1)
    Copy OK

    Track 10

    Peak level 93.6 %
    Extraction speed 31.8 X
    Test CRC 8B07D09B
    Accurately ripped (confidence 4) [902A329A] (AR v1)
    Copy OK
     
  18. moops

    moops Senior Member

    Location:
    Geebung, Australia
    How does it sound, the mastering for cat# 7567-81472-2 ?
    Does anyone have an opinion on it ?
     
  19. Well, it sounds "clearly inferior". I don't have it anymore, but it sounded thinner, colder, more digital, coarse and harsh.
     
  20. ad180

    ad180 Forum Resident

    Location:
    USA
    That's a record club edition, correct?
     
  21. moops

    moops Senior Member

    Location:
    Geebung, Australia

    Thanks Roland :thumbsup:

    What's the word on the Dualdisc ?
     
  22. Well, I once owned that one also, but it was compressed (loud) and I didn't like it.
     
  23. whatnow?

    whatnow? Forum Resident

    Location:
    San Antonio, Texas
    So any "early" US pressing of this title is the way to go, right? Japan-for-US, W.German, US JVC, Specialty...
     
  24. moops

    moops Senior Member

    Location:
    Geebung, Australia
    Well, that's the least complicated way to go I think, but there's differing views in the fact that - if you had two discs sitting in front of you, both containing the same mastering, and one is pressed in the US, the other in Japan, they could sound different. That's how I understand the argument anyway. Now, whether that happens to be correct or not I have no idea. Some forum members have compared discs such as the scenario described above, and the verdict is ......... :)
     
  25. nikosvault

    nikosvault Forum Resident

    Location:
    Denmark

    I just got the 7567-81472-2.....I think.

    Peak level 87.0 %
    Peak level 87.0 %
    Peak level 87.0 %
    Peak level 87.0 %
    Peak level 87.0 %
    Peak level 87.0 %
    Peak level 89.1 %
    Peak level 87.0 %
    Peak level 87.0 %
    Peak level 87.0 %

    "Shake a Leg" audio clip: http://s000.tinyupload.com/index.php?file_id=95934720734696985752

    [​IMG]
     
    Last edited: Sep 16, 2015
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