I really don't hear any weak Harrisongs on "Revolver." "Taxman" is a classic, "Love You To" is the liveliest track in his Indian trilogy, and "I Want to Tell You" has its own groove. I love the discordant piano. I think George blossomed as a songwriter in 1966. In 1965, he was still finding his way around the composer's toolbox. "I Need You" comes across as "Check out my new tone pedal" (see also "Yes It Is"), while "If I Needed Someone" answers the question "Was George familiar with the Byrds' recording of 'The Bells of Rhymney'?"