Worst Record Reviews Ever

Discussion in 'Music Corner' started by Chief, Feb 21, 2006.

Thread Status:
Not open for further replies.
  1. Oatsdad

    Oatsdad Oat, Biscuits and Abbie: Best Dogs Ever

    Location:
    Alexandria VA
    "Shout"? ;)
     
  2. Squealy

    Squealy Forum Hall Of Fame

    Location:
    Vancouver
    To be clear -- Considine first called the album "SHT" in Musician, and then recycled the joke for the Rolling Stone book.

    I miss Musician, that was a good magazine.
     
  3. czeskleba

    czeskleba Senior Member

    Location:
    Seattle
    In Musician, it was just the one word review, "SHT" wasn't it? I like it better than way. The rewritten version for the RS Record Guide does not add anything, and adding "TTL" overdoes the joke.
     
  4. dasacco

    dasacco Forum Resident

    Location:
    Massachussetts
    I recall these from Rolling Stone (working from memory here...)

    Nigel Olsson - "If God had meant Nigel Olsson to sing, he wouldn't have given him drumsticks"

    Bachman-Turner Overdrive (one of their last albums) - "Death, taxes, another Bachman-Turner Overdrive album"

    and my favorite, for the "Beatlemania" cast album: "Anyone who buys this album instead of a real Beatles album ought to be shot".
     
  5. Rob LoVerde

    Rob LoVerde New Member

    Location:
    USA
    You have to remember:

    Reading a record review that was WRITTEN UPON A RECORD'S RELEASE does not have the benefit of hindsight. Even if the critic listened to the record in question 10 times in a week, he doesn't have the chance to LIVE with the record, attach life experiences to the record or generally develop a soft-spot for it. The critic calls it as he sees it at the time. Two years before RAM, Paul McCartney was responsble for ABBEY ROAD. Can you imagine the comparison? Of course we love RAM after 35 years...it's as familiar as the skin on your fingers!
     
  6. Raunchnroll

    Raunchnroll Forum Resident

    Location:
    Seattle
    Stupid me - and here I was mixing GTR up with Grand Trunk Railroad / Grand Funk Rarilroad. Poor Grand Funk, along with Black Oak Arkansas, who used to get savaged by a lot of rock critics (though not always) and were never really understood by most of them. Some critic even once said something to the effect that BOA didn't play their own instruments because they didn't know how, which must have been quite a revelation to those who saw 'em live in the 70's. The fact that these bands were some of the top grossing live acts of the '71 to '76 period, and had a number of gold albums each made it all the sweeter for me and my buddies at the time.
     
  7. Synthesist

    Synthesist New Member

    Two favorites of mine were

    Black Sabbath- Live Evil: "Live Evil huh.., more like Dead Duck!" :righton:
    and
    Asia- Then and Now: "Asia.. Bad THEN, Worse NOW!" :D

    hmm.. that's two bad nods for Mr. Hackett, seems no one wants to
    know him away from Yes. :shake:
     
  8. czeskleba

    czeskleba Senior Member

    Location:
    Seattle
    Very true. Not just hindsight, but perspective. Ram occupies a unique position in McCartney's history, in the sense that pretty much everything he had done before it was better than Ram, but pretty much everything he did after it was worse than Ram. Compared to the Beatles, Ram is mediocre at best. Compared to most of his other solo albums, it is a masterwork.
     
  9. John54

    John54 Forum Resident

    Location:
    Toronto
    I was going to mention the GTR one too, but no need to. I had thought it was in CREEM, but perhaps I was mistaken. XLNT would have been more accurate, I rank the darn thing on my '80s top 10 LPs.
     
  10. MrPeabody

    MrPeabody New Member

    Location:
    Mass.
    Anyone have Lester Bangs' review in Creem of Led Zeppelin III? Damning with not-so-faint praise, if I remember correctly. But funny!
     
  11. Squealy

    Squealy Forum Hall Of Fame

    Location:
    Vancouver
    Yes, and you're right, adding more to the review dilutes the joke.
     
  12. tatifan

    tatifan Member

    Location:
    Houston
    Somehow, this topic made me think of a review in High Fidelity in the mid 70s, of a record called "The Nothing Record", which apparently was something like "The Nothing Book".....a record with no sound recorded on it. If memory serves, it was pressed by Murray Hill, which means with all the ticks and pops it was more like a performance of John Cage's 4'33" ....... where the audience and ambient noise becomes the piece. Any how if memory serves, the review was something like this:


    The Nothing Record




































    R.D.D.
     
  13. Driver 8

    Driver 8 Forum Resident

    It's funny how the received opinion of Ram has gone 180 degrees from "the nadir of the decomposition of the 60s" or whatever the Rolling Stone review said to "McCartney's solo masterwork." As usual, the truth lies somewhere in between.
     
  14. head_unit

    head_unit Forum Resident

    Location:
    Los Angeles CA USA
    I just can't find the review I want. I think it is mentioned on some album liner notes. It started off
    "If this band make it, I shall have to kill myself"
    or something along those lines. Of course, it was for Jethro Tull (or maybe Uriah Heep?) who went on to huge success. No word about the fate of the reviewer.
    Anyone have this?
     
  15. rene smalldridge

    rene smalldridge Senior Member

    Location:
    manhattan,kansas
    ...............I do believe he did away with himself on The Magician's Birthday.
     
  16. christopher

    christopher Forum Neurotic

    lester's review of seeing tangerine dream at lasarium in new york is one of the funniest things you're likely to read.

    later, chris
     
  17. christopher

    christopher Forum Neurotic

    KING CRIMSON'S "lark's tongues..." had it's share of abuse heaped upon it in its day. anyone with a copy of "the young person's guide to KC" or the first KC boxed set i'm sure have read american writer gary lucas' review in ZOO from may 7, 1973:

    "...as far as fripp's flirtation with jazz goes, the man, to be sure, has strong roots in a certain kind of jazz--cocktail lounge jazz..."

    "...they ain't sun ra and they ain't pierre boulez and they ain't even any of the cats that come in between those two incredible towers of strength. and there's nothing magical about this music. there is only one magic band, and this one isn't it. instead of just telling you suckers out there not to waste your money, which i'd dearly like to do and leave it at that, i'm supposed to offer some sort of analysis..."

    "...there isn't one new idea here that wasn't developed by fripp or somebody else years ago. forget anything you may ever have heard about them being avant-garde..."

    "...there are also many time changes, oh yes, real heavy ones like 5/4 and 7/8, but they always let you know when they're gonna change the time signature by breaking off the "movement". if you like pop tunes, buy kevin ayers' JOY OF A TOY, if you can find it..."

    "...david cross suffers from a severe handicap--he can't play the violin, which is maybe why he is given only the most rudimentary instrumental lines. to paraphrase pauline kael, if a contest was held between david cross and the violinist of string driven thing to determine who was the worst violinist, the violinist for string driven thing would lose..."

    "...consolation--at least peter sinfield doesn't write lyrics for them anymore..."

    these are just some brutal highlights, but the review is actually quite funny, too.

    this reminds me of a book actress diana rigg wrote many years ago, a compilation of bad stage reviews called "no turn unstoned". love that title!

    later, chris
     
  18. Kym

    Kym Forum Resident

    Parke Puterbaugh wrote a lot of Rolling Stone reviews in the early 80's. His writing style really annoyed me for some reason.

    I recall his review of Toto's IV. He claimed "Africa" was a dead ringer for Asia's "Heat Of The Moment" which to this day confounds me. He ended the review saying the album fit as tightly as a "Velveeta skinsuit" or something like that. :laugh:
     
  19. John Carsell

    John Carsell Forum Resident

    Location:
    Northwest Illinois
    Some of the worst record reviews are the one's where it's very hard to tell if the reviewer actually LIKED the album or not.
     
  20. Ron Stone

    Ron Stone Offending Member

    Location:
    Deep Maryland
    Hmm, I agree with most of the posted slaggings.
     
  21. tootull

    tootull John Norman

    Location:
    Canada
    Abba-Greatest Hits is of the highest quality, even if it is prone to induce both sleep and cavities. :D -Rolling Stone
     
  22. dkmonroe

    dkmonroe A completely self-taught idiot

    Location:
    Atlanta
    It's Uriah Heep's first album, reviewed in Rolling Stone by Melissa Mills. I posted it earlier in the thread.
     
  23. Chief

    Chief Over 9869 Served Thread Starter

    In my opinion, its the culmination of the creative arc McCartney started towards the end of 1968. I think he was on a roll, writing the best songs of his life. Ram was the final album in that phase, and as such is as good as his work on Abbey Road. Certainly McCartney was the architech of that album, but his major contribution was "You Never Give Me Your Money". "Oh Darling" was a pastiche, and not better than most of the songs on Ram. And "She Came In Through The Bathroom Window" ended up in an unfinished form as part of the melody. "Golden Slumbers" is pretty good, but as good as many Ram songs. After Ram, Paul's music really moved into the "ex-Beatle" phase.

    I'm really NOT trying to turn this into a Ram thread. I just wanted to add my opinion to what was already mentioned about Ram. On that note, here is wonderful piece of review writing by AMG's Stephen Thomas Erlewine.

    Its full of goodies about Ms. Lohan's "breasts", whether or not she's actually famous, her tabloid romances, a showing by Paris Hilton, what she looks like on the cover, and the inside photos, and Pro Tools.

     
  24. Jimbo

    Jimbo Forum Hall Of Fame

    Location:
    Zero/Zero Island
    Stereo Review used to have some pithy reviews. I remember this one-line comment about Harry Chapin's Dance Band on the Titanic: "No wonder it sank." :laugh:
     
  25. jpmosu

    jpmosu a.k.a. Mr. Jones

    Location:
    Dayton, Ohio, USA

    There *are* a few lyrical mis-steps on *Chinese Eyes,* but the real irony is that Christgau's review often describes his own writing style: "the pretentiousness of which could barely be imagined by an acid-damaged Bard drama major."

    Amen.
     
Thread Status:
Not open for further replies.

Share This Page