It may not be a masterpiece for the ages, but I've always thought that "Traffic Light Rock" was a fun little song, a zesty throwaway. I don't blame them for leaving it off the album, although it's no less consequential than "Do What You Do". It's interesting to read about their obsession with starting some kind of retro dance craze back in the old days. 3/5
Traffic Light Rock. It's pleasant enough but for me very unexceptional, like it was a write-a-new-wave-song school assignment that Andy fulfilled with a perfunctory entry that nevertheless ticks all the boxes that the teacher outlined. It works though.
Traffic Light Rock: Another good track, which would have been good enough, but not essential, for the album imo.
Big, dumb fun, but waaaay too much emphasis on the dumb. That said, I can absolutely see myself enjoying this quite a lot more than my rating reflects if I happen to be in the exact right mood for it. 2.5/5
"Traffic Light Rock" - another fun piece of fluff from Andy. 3/5. I don't have the Guillotine compilation, but I did find this on a Various Artists 7" EP from Virgin. I can't be arsed to dig out my singles, but if I recall correctly it looks like it was a free promo (it has a blue label). ETA: Discogs tells me this was "Presented Free by Record Mirror".
Traffic Light Rock I feel like this track is almost there, but not quite. The music is great. It’s peppy and catchy, but unfortunately the vocals grate. 2.75/5
It's more concise and coherent than most of White Music, but ultimately it's them aping a style that really isn't theirs. 2/5
Traffic Light Rock: Definitely a retro feel throwback. 50’s-early 60’s nostalgia filtered through late 70’s Swindon. Crocodile Rock, Rocky Horror, there was a fair amount of this earlier in the decade. It’s a harmless little bauble, and charming. 3/5
What intv7 says saves me a few extra keystrokes. He nails it. Interestingly I had never heard "Traffic Light Rock". I'm not very familiar with New York Dolls other than what I heard back when on MTV. I did take a look at discogs. The record inner has amusing hype: "The pride of Swindon now worshiped nationwide, this combo is in the process of changing the shape of the universe." -alrighty then. Played it a few times. Piano and guitar stand out on a nice rocker. Before you know it it's over. 2/5 Guess I could repeat this part: It's not what I'm coming to xtc for.
This one's worth repeating, as well. The Ramones were good at this "play it fast" rock but I am sure glad xtc got on a different track.
Singles - where did it all go wrong? Personally, I used to sit right in front of my turntable, so it wasn't a hassle to turn them over. Now I want a comfortable chair in the middle of the sweet spot on the other side of the room. Don't want to keep getting up after every song. Same with Cd singles. I own a lot of them that don't get played very often. When I had a carousel 5-disc changer it was easier but my Oppo is one disc at a time.
"Traffic Light Rock": Before I read Lance's info or any of your comments, my main takeaway from the song was "wow, this sounds a lot like the Dolls—only with the wrong attitude." Weak Dolls and weak XTC. 1.5/5
The highly influential but commercially ignored XTC do a send up of the highly influential but commercially ignored New York Dolls. I dig it! 4/5
Today's song is "Instant Tunes", written by Andy Partridge and produced by John Leckie. XTC – Instant Tunes Lyrics | Genius Lyrics Line Up: Andy Partridge: vocals, guitars Barry Andrews: organ Colin Moulding: vocals, bass Terry Chambers: drums Recording during the White Music sessions, this was released as a B-side to the late 1978 single Are You Receiving Me.
"Instant Tunes" * Written by Colin Moulding * This is my favourite Colin B-side. I think it's his equivalent to "New Town Animal" - the undiscovered early gem. Like that one it's simple, direct and has a fantastic hook. I also love the descending guitar figure during the chorus - the role of the keyboards seems somewhat diminished in this one. Perhaps by the time it was released they had remixed it to reflect that Barry was on the outs? It's always felt to me more like a "coming out of Go2" track than a White Music track. 4/5.
It's Colin doing his best Andy impersonation - I can hear his distinctive burr in several places. Thankfully they diverge vocally after the next album!
It's OK; another solid hook by Colin; another song that could have replace anything on the album and not affected it at all. Better than Watchtower and X Wires. 2.9/5