The Kinks - Album by Album (song by song)

ThereOnceWasANote · Mar 11, 2022

mark winstanley said: ↑

Misfits.

stereo mix, recorded 24-28 Oct, 1977 at Konk Studios, Hornsey, London

You've been sleeping in a field but you look real rested
You set out to outrage but you can't get arrested
You say your image is new, but it looks well tested
You're lost without a crowd yet you go your own way

You say your summer has gone
Now the winter is crawlin' in
They say that even in your day
Somehow you never could quite fit in
Though it's cold outside
I know the summer's gonna come again
Because you know what they say
Every dog has his day

You're a misfit, afraid of yourself so you run away and hide
You've been a misfit all your life
Why don't you join the crowd
And come inside
You wander round this town like you've lost your way
You had your chance in your day
Yet you threw it all away
But you know what they say
Every dog has his day

Look at all the losers and the mad eyed gazers
Look at all the loonies and the sad eyed failures
They've given up living 'cos they just don't care
So take a good look around
The misfits are everywhere
La la la la la la

This is your chance, this is your time
So don't throw it away
You can have your day
'Cause it's true what they say
Every dog has his day

You're a misfit
Afraid of yourself so you run away and hide
You've been a misfit all your life
But why don't you join the crowd and come inside
You wander round this town
Like you've lost your way
You had your chance in your day
Yet you threw it all away
Now you're lost in the crowd
Yet, still go your own way

Written by: Ray Davies
Published by: Davray Music Ltd.

This is a great song, and yet again it is a song where I lean towards the live version, but have grown to enjoy the studio version.... actually quite a lot.
As much as I like this song, and even though it introduces the theme to the album, it doesn't seem like an ideal song to open the album. I'm sure many will disagree with me, but it seems like it would more naturally fit somewhere around track three ... or thereabouts..... perhaps even a side closer ... and thinking again, maybe even a solid final track to reinforce the subtle theme of the album.

Lyrically this song was one of my banner songs. One of those songs where you say, or feel, "yea, that's me and you captured it so well." There are many, but this is one of those songs that feels like it was written to help me through.... or something goofy along those lines.

I think in many ways this song is a somewhat slightly hidden scenario of Ray looking at himself, and where he is, but we'll see whether that could hold up as we go through. I know the lyrics, but have never particularly studied them.

The opening line just in itself is an interesting study, or sorts.
"You've been sleeping in a field, but you look real rested"
The first thing that strikes me is the contrast, and it could just be Ray using a lilting poetic motif to open us up, but I also know that many depressed people sleep way more than they need to. They always look rested, because on any given opportunity they will be asleep, because it is a way to escape the world for a while... I don't know, perhaps I'm way off the mark, but that's what comes to mind when I look at that line opening the song, and we're looking at someone that doesn't fit in, a Misfit, and the natural result of that is often depression.

"You set out to outrage, but you can't get arrested"
I don't know whether it is a globally used phrase, but in Aus at least, the phrase".... couldn't even get arrested in this town" tends to mean that there is a complete lack of interest in that person.
And this is where it really starts to sound like Ray looking into some kind of mirror.
I suppose I look at it this way.
"I've had these bouts of depression, and I often write these barbed lyrics to try and get people to think about some of the things that bother me in this world, but it seems like nobody is listening"

"You say your image is new, but it looks quite tested"
At the point where Ray was putting together the Sleepwalker/Poseur songs, he had made a decision to simplify. To bring the Kinks back to the roots of what they started off as.... a pop/rock band that focused on songs, rather than grand schemes and big plots and large ensemble arrangements.
The idea being that The Kinks, whether particularly influenced by Clive Davis or not, were going to do something new..... They were going to drop the big ensemble and get back to being a rock band. Ray was going to write songs, instead of trying to write novels made up of a dozen or so songs, he was going to make the songs the focus, and not spend as much time trying to string them together into a story/play/theatre production ..... essentially at the end of 1975, or beginning of 1976, as some recordings would possibly suggest, Ray had already come to the realisation that the music world had started to become a little bloated in the way albums were being done, and the heart of the song itself had slipped out the window, and everything had to be bigger and better.... essentially Ray seems to have started feeling this way at the same time a lot of the youth, or at least younger musicians had started to get back into the idea of garage rock, and punk and the music inspired by a simpler style, that spoke directly to people in the working classes, rather than thrusting bold projects over their heads.....
In fact we see that start around the time of Soap Opera, and by the time we get to Schoolboys the band is rocking a little more, and the songs are generally more concise, except for a couple of obvious exceptions.
But as the lyric states in its own slightly odd way, whether we look at the simplification of the Kinks, or the garage rock and punk scenes that they were likely inspired from their sixties days.... this is "well tested" ground. The sounds and recording techniques may be a little different, but the form is not new.

"You're lost without a crowd yet you go your own way"
Ray wants people to love what he does, like they used to in the beginning. He almost needs that crowd, but he is prone to self-sabotage, because even in his leaning toward more commercial stylings that the crowds may like, he goes his own way. He writes about things most others don't, and in spite of the Clive Davis factor, and the debate surrounding that, Ray was doing exactly what he wanted to do, as we saw on Sleepwalker, Ray was framing his non-commercial themes and thoughts in a sort of commercial way..... no matter what anyone thinks, he was going his "own way"

On close inspection that first verse says more than I personally ever thought it did, and not in a way I expected .... perhaps I'm way off the mark, but ....

"You say your summer has gone
Now the winter is crawlin' in"
Is this Ray speculating that it may all be over. Generally summer works as a picture of a bright and warm successful time and feelings, and winter represents the cold of aging and being more isolated. Winter has crept up upon him, and perhaps the days of sunshine, wine and roses are gone.

"They say that even in your day
Somehow you never could quite fit in"
I don't think this needs any further research, or explanation.

Though it's cold outside
I know the summer's gonna come again
Currently experiencing the cold, isolated feeling that, from some perspectives, failure feels like .... but speculating that the summer must come around again, and the joy of success will smile down once again.

"Because you know what they say
Every dog has his day"
Again, this is pretty self explanatory.

The chorus somewhat takes all the ideas in those first two outstanding verses and makes one statement from them.
It is almost as if this is Clive Davis singing to Ray.... reflecting back the inner thoughts of Ray back to him, and saying "hey, I have a place for you, so come inside and join the crowd"
"You had your chance in your day
Yet you threw it all away"
Breakthrough success in the US - then banned from the country from brawling with each other for years.
But as we have seen Ray often hobbled himself, so again this is pretty self explanatory.

The bridge, which isn't in the live version, brings everyone into play, and in some ways perhaps to take the focus away from how closely this lyric seems like a cryptic autobiography...
Look, I don't believe in the everyone gets a prize mentality, but I also don't believe that we should all be crammed into the same small room of functionality.
One of the biggest issues the modern world has is this need to try and fit everything into tiny, shiny boxes ... trying to pick apples to be all the same size so they can be packed more easily and all that kind of stupidity .... people are even more difficult to cram into boxes, because for all our similarities, we are quite different, and everyone has their thing that they are good at. Jack's great at math, and Molly is great at geography... or whatever ... compromising both of them to try and make them the same is useless to them, and everyone else. Modifying everything to be average, instead of allowing people to be exceptional in their skill zone is ..... bloody stupid.
We are all misfits, but when we aren't artificially molded into boxes we don't fit in, there is a chance that together, sharing all our skills and abilities, we can all move forward, instead of treading water in isolation....
I seem to often get into conversations about being normal, which probably shows how far away from that I actually am.... but it always comes to the conclusion that normal is an illusion

I'm waffling a lot recently, apologies.... these songs are poking some bears ....

Anyway the bridge opens up the song to everyone, and Ray finds comfort in the fact that we are all misfits, yet sadness in those who have given up living because they feel an overwhelming futility in that.

Then we get a second bridge, or a verse variation if you prefer, and Ray is still singing to everyone, but I/we? again get a feeling that Ray is somewhat singing to himself...
This is your chance - Don't throw it away...
With the way the band's sales seemed to have been over most of the seventies, and even the late sixties, it is very feasible that if Arista hadn't stepped forward, the Kinks may have drifted off into the realms of history in 75/76 ... I guess they could have gone the route of their own label, or perhaps someone else may have stepped up to the plate, but the Kinks weren't really a big band in most ways, in 75/76.

So lyrically I think this is quite brilliant. We have so many layers here that all seamlessly fit together as one song, and it can be taken in any or all of those directions, and still be coherent and pointed in its theme.

Musically this is sublime also... Is this one of the Kinks best sounding albums? I really like the sound of this....

Dave opens up the album with a beautiful guitar melody over the organ?, synth?, either way it's perfect. The delicate layers of guitars rolling this melody over itself, with slightly different tones is a beautiful dreamy way to bring the song in.

The whole texture of the opening here is delicate, and sensitive.
Ray comes in with the vocal, and it's delicate, reflective, gently mournful.
The acoustic guitar lilts in the background with its back and forth chord arrangement.
The bass is solid and warm.
The drums are gentle with some delicate rim shots tapping the beat along.

The music here fits that first verse/opening section, beautifully.

As we move into the second verse, the intensity picks up, still not rawkus, but solid and flowing.
The drums come in fully, with some surprisingly nice little fills.
The guitars become a little more distinct.
Ray is still somewhat swooning the vocal, and it is excellent.

As we move into the chorus we get what I assume are some of Clem Cattini's percussion overdubs with the sticks/blocks.
It again becomes ever so slightly more boisterous.
Then the last chord fades off.

After a slight contemplative silence, Ray comes in with the organ, and we get this beautiful free time bridge. Each line gets a ritard, and it emphasises the words and emotion beautifully.
It is a focus point of a sort, and it ends up being almost the crowning moment of the song.

Then we bounce into the rhythm again, and Dave slides us a couple of really nice country guitar licks. We get the old Kink La la's..... and again, there is this warmth to the whole thing that sort of embraces the listener.

This is where the sort of alternative verse comes in, and it again goes to a ritard that fades away, and we come back in with the opening main guitar melody, and its beautiful layers.
Then we bounce into an almost triumphant sounding final chorus, with Ray singing a little more forcefully, and we get the vocal echo in the background vocals ... Dave?

Then we close with another ritard ....

This is an absolutely masterful piece of songwriting. I don't really care if it is deemed commercial or not.
The lyric and the music work so well together.
The musical input from the band is absolutely spot on.
The uses of the ritards is stunning and poignant, as it mimics the hesitancy of our misfit trying to find a way to restart, after trashing their initial progress, due to bad decisions or whatever the case may be...

This song is ultimately personal, and intimately universal, and it is certainly a Kinks Klassic, whichever version one wants to listen to.... I must say though, on a close listen to the bridge, that is missing on the live version, it's incredibly important to the song here on the studio album, because the intimacy that the band manage to convey here is quite stunning.

It seems odd that this wasn't a single in its own right, but perhaps the arrangement wasn't seen to be traditional enough or something....
There is no career-spanning best of, or compilation that this song should be missing from. In many ways this is somewhat the Waterloo Sunset of the Arista years, and absolutely essential Kinks..... whether it should have started the album off or not ..... I don't know, but I lean towards not

Click to expand...

In the Redbeard interview I posted Ray talks a fair bit about this song. The opening line was about a guy who frequented the pub Ray hung out at (along with a Monty Python member he was friends with) and the guy would actually sleep in a field and show up the Pub looking well refreshed and great the next day. Ray indicated the Pub and the people who went there were his inspiration for the song. He also (going back to Sleepwalker) confirmed that album started as a concept record. One thing, and we can all agree or disagree with Ray here, he said was that he really didn't write about himself that he would inhabit a character in a song like an actor: "finding my way inside the person or role like an actor would". I found that interesting. He mentions how Rock N Roll Fantasy was inspired by Elvis' death which hit him pretty hard (he was surprised that it did).

Of course Ray has said many different and conflicting things over the yrs too...

mark winstanley · Mar 11, 2022

LX200GPS said: ↑

Mark, why get so twisted about the sequencing? Just program your cd player to play these tracks in whatever order you want
Click to expand...

Not really twisted about it, it works, I just think it could have been better sequenced...
I haven't programmed a cd since about 1986 lol

croquetlawns · Mar 11, 2022

Misfits is a great start to the album - Ray's vocal in particular is really good.

mark winstanley · Mar 11, 2022

I'm four songs into the album, and I'm liking it more on a closer listen.
Hay Fever is lightweight but fun, and Black Messiah has some careless phrasing, but isn't really that bad, even if it is still an odd choice of song for a band trying to get into the US market.....
So although I'll stick with believing it could have been sequenced better, perhaps it will get closer to Sleepwalker than my initial feelings felt it could....

pyrrhicvictory · Mar 11, 2022

Misfits

A nice Spanish guitar intro to a terrific and understated performance by the band to start the album. To me this is clearly Ray sending a message to himself while recognizing he’s not alone, there’s plenty more misfits out there (and I should know). Unfortunately he closes the album with another call to arms, this one to the ‘little men’ of whom Ray, in some lines, considers himself a part of. That Ray. This song, though, has always spoken to me and while I’d refrain from calling it great, I do appreciate it being in my life.

markelis · Mar 11, 2022

Wondergirl said: ↑

________
I listened to the whole album while at work today. And though I can't say for sure until we're done with Misfits, the album, this may be the most solid album, for me, since the Lola LP. There...I said it! maybe @mark winstanley (edited to add)and I will be standing alone in thinking this is a killer album (overall)??!
Click to expand...

You two will not stand alone. I join you in your one man wolf pack, making it three.

ThereOnceWasANote · Mar 11, 2022

markelis said: ↑

You two will not stand alone. I join you in your one man wolf pack, making it three.
Click to expand...

Aside from the last two tracks I would agree it's a killer album.

pyrrhicvictory · Mar 11, 2022

A note on Clive Davis

With all the Clive talkin’ on the thread recently this morsel surfaced up from my brainpan. His amusing and often revealing autobiography ‘The Soundtrack of my Life’, which I read and enjoyed years ago, tells us a tale about Janis Joplin. Joplin’s manager, Albert Grossman, informed Mr. Davis that ‘she thinks it would be only fitting and proper that she ball you to cement the (record) deal.’ This offer Mr. Davis respectfully declines. The only concession by Ray at that rooftop Arista signing party was that he keep his concept albums to himself.

pyrrhicvictory · Mar 11, 2022

markelis said: ↑

You two will not stand alone. I join you in your one man wolf pack, making it three.
Click to expand...

I’d like to make it a foursome, but i would amend it to most solid album since Muswell Hillbillies.

ThereOnceWasANote · Mar 11, 2022

Misfits

A song I can relate to very much. I don't think Ray wrote another song like this after Misfits. I would've started the album with Live Life but Misfits works fine opening up the album. The bridge is definitely a thing of beauty. The album is off to a nice start and the title track kicks off an album that for the most part contains songs about Misfit people or circumstances. Beautiful melody and guitar work in this one. A simple, but effective arrangement. A highlight of the Arista years. Never tire of listening to it.

ThereOnceWasANote · Mar 11, 2022

Martyj said: ↑

It’s unusual, though not unprecedented, for The Kinks to kick off an LP with one of the slower tempo’d numbers, but there is good reason for it here: it may be the best song on the record.

Where does it rank on the Martyj list, you ask? It’s in the top third per the ranking I keep based on 50/50 objective criteria/personal preference:

Kinks Studio LP openers

Arthur — Victoria
Something Else — David Watts
Muswell Hillbillies — 20th Century Man
VGPS - Village Green Preservation Society
Word of Mouth — Do It Again
Give the People What They Want - Around the Dial
Misfits - Misfits
Everybody’s in Showbiz — Here Comes Another Day
Kontroversy — Milk Cow Blues
Think Visual - Working at the Factory
Preservation 1 — Morning/Daylight
Face to Face — Party Line
Sleepwalker - Life on the Road
Soap Opera — Starmaker
Schoolboys in Disgrace — Schooldays
Low Budget — Attitude
State of Confusion - State of Confusion
Phobia — Opening/Wall of Fire
Kinda Kinks — Look For Me Baby
Lola V. Powerman — The Contenders
Kinks — Beautiful Delilah
Preservation 2 — Introduction to Solution
U.K. Jive — Aggravation
Click to expand...

Nice to see Working At The Factory ranked pretty high! Great tune.

Rockford & Roll · Mar 11, 2022

Our little group here has really done a nice job on “Misfits”. It’s a fantastic song that really connects. All I might add is that right from the beginning of the song, and I don’t believe I’ve heard it before, I could imagine Alejandro Escovedo covering it. It reminds me of Mott’s “ I Wish I Was Your Mother”. The only song I imagine I have heard on this album is “Rock N’ Roll Fantasy”, so we are off to a great start on the Misfits album for me.

Wondergirl · Mar 11, 2022

pyrrhicvictory said: ↑

I’d like to make it a foursome, but i would amend it to most solid album since Muswell Hillbillies.
Click to expand...

someone photoshop a 4th wolf in here! LOL

Geoff738 · Mar 11, 2022

Love Misfits. It might not be the pinnacle of the Arista years, but it is right up there for me.

The late man · Mar 11, 2022

pyrrhicvictory said: ↑

I’d like to make it a foursome, but i would amend it to most solid album since Muswell Hillbillies.
Click to expand...

The Party is barely 4-members strong and dissidence already appears. You bunch of Misfits.

Michael Streett · Mar 11, 2022

The late man said: ↑

The Party is barely 4-members strong and dissidence already appears. You bunch of Misfits.
Click to expand...

Yukon Cornelius: “How do you like that? Even among misfits you’re a misfit”.
(Sorry. This may be a US only pop culture reference. I’ve been waiting to use this all day.)

ThereOnceWasANote · Mar 11, 2022

Rockford & Roll said: ↑

Our little group here has really done a nice job on “Misfits”. It’s a fantastic song that really connects. All I might add is that right from the beginning of the song, and I don’t believe I’ve heard it before, I could imagine Alejandro Escovedo covering it. It reminds me of Mott’s “ I Wish I Was Your Mother”. The only song I imagine I have heard on this album is “Rock N’ Roll Fantasy”, so we are off to a great start on the Misfits album for me.
Click to expand...

I think your photo and name is one of my favorites on here!

Michael Streett · Mar 11, 2022

ThereOnceWasANote said: ↑

I think your photo and name is one of my favorites on here!
Click to expand...

Me too. I love the show and to know there’s another misfit who likes both The Kinks and The Rockford Files is comforting in a weird misfitting way.

All Down The Line · Mar 11, 2022

fspringer said: ↑

Misfits: The school year was close to ending. Most nights, I was doing homework or writing my journal in my bedroom, which had become my bat cave thanks to my trusty Soundesign three-in-one stereo console and Radio Shack Nova 40 headphones (the only good product they made!). How many hours would I spend sitting on my bed, album in hand, lyrics sheet and song credits handy, listening to yet another rock album that was either already a classic or would attain classic status almost immediately? It was a nightly ritual that went on for years, almost like a religious service.

One of those nights listening to WMMR, I heard a plaintive ballad start up that I hadn't heard before. First line about sleeping in a field ... I knew that was Ray Davies' voice but didn't know the song. From that first line, I could hear every line, and every line registered. In some sense, this was my life. Somebody got me in ways that most people didn't. I was a smart kid but not hanging with the smart kids. Athletic, but not hanging with the jocks. Related to stoners because of our shared taste in music. Yet didn't really belong with them. I had a similar group of stranded friends, nerdy guys (always guys, we were still afraid of girls) who tended to do quite well in school but didn't feel compelled to pledge alliance to any once social group. High school felt like war sometimes, a constant struggle to be on top. We wanted no part of it.

"Misfits" let me know, you're not insane. There's nothing wrong with you for wanting no part of this silliness. The moments I recall most from high school are those where we all let down our guard and enjoyed each other's company, regardless of our social caste. As teenagers, we let it happen all the time as we were so much more open back then. But the inevitable curtain would drop again, and we'd all have to play our prescribed parts. I sat there listening to that song, another school year ending, and thinking, "No one is ever going to define a point in my life so directly as this song is doing now." And that held true (despite many close calls in the near future, particularly with Paul Westerberg). The song itself was beautifully constructed, the slow build and fade outs. One of my favorite songs from the moment I heard it and still is now. And it drove me nuts that I couldn't find it in the record store! But I would eventually.

The odd thing? Years later, I would become actively involved in staging my high-school reunions. Somehow, I became friends with one of the cheerleaders, probably the most beautiful girl in the entire school, who hit harder times as a young adult, a blown marriage, left with a kid, struggling to survive. But, boy, did she know everybody, thanks to those cheerleading days! For some reason, the class president walked away from the reunion process after the first 10-year reunion, leaving a void, and she picked up the torch. My organizational skills came in handy. With another friend, who was also part of that weird, off-center group of kids, we went on to stage the next few reunions (with one overdue because of the pandemic).

The reunions have taught me that we all felt like misfits, and all had moments where we felt cast out, weird and not belonging anywhere. It was shocking to hear cheerleaders and jocks declare this, but in reality, they were in the heat of that popularity battle all the time and more than likely bore more scars than someone who walked away from the battle completely. I can't tell you how many illuminating conversations I've had with people I didn't really know (or in some cases like) back then who I could see now are just every-day people trying to make the best of their lives. It all circled around to "the misfits are everywhere" line in the song. I loved that line in the song, but it wouldn't start making sense until years later.
Click to expand...

It may well be that this thread is nothing if not a tribute by & to glorious misfits!

palisantrancho · Mar 11, 2022

ThereOnceWasANote said: ↑

Aside from the last two tracks I would agree it's a killer album.
Click to expand...

I ignored the last song for many years, but I will have lots of positive things to say about it. The underdog of the album. It will most likely make my top five from the album. It's hard to say since I like almost every song on here.

All Down The Line · Mar 11, 2022

DISKOJOE said: ↑

Yes, I purchased a vintage Modern Jazz Quintet album from 1966 in mono for my departing fellow employee. I think it was the first time I actually bought a vinyl record there in twenty odd years (I'm a CD guy). I felt like such a hipster!
Click to expand...

OT:
Just back from a record fair this hour and loads of Kinks vinyl albums on offer, wanted to buy a Preservation Act 1 but it was on Pickwick not RCA, a UK Lola LP but it was a whopping $220, a US You Really Got Me which was Stereo not Mono & less so a Low Budget (amongst others) that i just eyed with suspicion!

All Down The Line · Mar 12, 2022

DISKOJOE said: ↑

What does Bono have to do w/this? This is a Kinks thread, not a U2 one Also, I would also invoke the Sanity Clause, but as we learned from studying "Father Christmas", that there ain't no Sanity Clause!
Click to expand...

You do realise @DISKOJOE that even I resisted going the U2 response to that post!

All Down The Line · Mar 12, 2022

mark winstanley said: ↑

Just as a reminder, this is the layout ahead, no need to fear, plenty of variety

Misfits - May 78
20 Golden Greats 1978
Dave's Decade 1978/79 tracks (4)
Low Budget - Jul 19 US - Sep 79 UK
Second Time Around - 1980
Dave Davies AFL1-3603 - 1980
One For the Road - June 1980 (album and video)
Waterloo Sunset EP - June 1980
Kinks Live EP - Jul 1980
Dave Davies Glamour - 1981
Give The People What They Want - Aug 81 US - Jan 82 UK
Click to expand...

Mark I am glad you qualified what AFL stood for as I was almost going to mention Buddy Franklin's impending 1000th career goal!
Edit: (And it's glamour!)

All Down The Line · Mar 12, 2022

LX200GPS said: ↑

Was at the first one which was a terrific concert. Plenty of back projection slides of Kinks 60's stuff. The following evening I surrounded myself with lots of alcohol and watched the OGWT on TV. The girlfriend who accompanied me to the Rainbow that evening had a brother whose name was John Sheeran. He would have a son called Ed. It's a funny old world.
Click to expand...

You knew "Mr" Ed!

All Down The Line · Mar 12, 2022

Smiler said: ↑

Motion seconded!

I'm withholding comment on the album until I've had more time to absorb it. I do relate to the feeling of not quite fitting in, especially when I was younger. It's always interesting to hear stories of those who seem to have it all together, only to discover that most of us are struggling with something, even if we're adept at disguising it. Group therapy and recovery groups really drove home that point for me. I hope and believe there is more awareness and sensitivity about individuals' personal struggles than 20 or 40 years ago.
Click to expand...

Your last sentence is as valuable as any others ever written on this thread!
I am with you 100% as this is something modern society desperately needs to help the individual and ultimately itself!

Log in or Sign up

The Kinks - Album by Album (song by song)

ThereOnceWasANote Forum Resident

mark winstanley Certified dinosaur, who likes physical product Thread Starter

croquetlawns Forum Resident

mark winstanley Certified dinosaur, who likes physical product Thread Starter

pyrrhicvictory Forum Resident

markelis Forum Resident

ThereOnceWasANote Forum Resident

pyrrhicvictory Forum Resident

pyrrhicvictory Forum Resident

ThereOnceWasANote Forum Resident

ThereOnceWasANote Forum Resident

Rockford & Roll Forum Resident

Wondergirl Forum Resident

Geoff738 Forum Resident

The late man Forum Resident

Michael Streett Senior Member

ThereOnceWasANote Forum Resident

Michael Streett Senior Member

All Down The Line The Under Asst East Coast White Label Promo Man

palisantrancho Forum Resident

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

Share This Page

Log in or Sign up

The Kinks - Album by Album (song by song)

ThereOnceWasANote Forum Resident

mark winstanley Certified dinosaur, who likes physical product Thread Starter

croquetlawns Forum Resident

mark winstanley Certified dinosaur, who likes physical product Thread Starter

pyrrhicvictory Forum Resident

markelis Forum Resident

ThereOnceWasANote Forum Resident

pyrrhicvictory Forum Resident

pyrrhicvictory Forum Resident

ThereOnceWasANote Forum Resident

ThereOnceWasANote Forum Resident

Rockford & Roll Forum Resident

Wondergirl Forum Resident

Geoff738 Forum Resident

The late man Forum Resident

Michael Streett Senior Member

ThereOnceWasANote Forum Resident

Michael Streett Senior Member

All Down The Line The Under Asst East Coast White Label Promo Man

palisantrancho Forum Resident

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

All Down The Line The Under Asst East Coast White Label Promo Man

Share This Page

Useful Searches