All my album pictures are hyperlinks from discogs. I still have the one I bought in college, so I doubt it's BMG. I do have a lot of BMG CDs though. I didn't heavily start mining BMG until well after college, I think. Oh, the wind blows cold, on the trail of the Buffalo. Oh, the wind blows cold, in the Land of the Navajo. It's possible I'm 1/64 Navajo, but not likely.
I'm controversial: Well, I guess there's a controversy between "blues purists" and people that can stomach anything from Hendrix to Zepp to the White Stripes and even sometimes, ugh, The Black Keys. The Keys didn't start "ugh" but they became it, in my opinion.
I purchased many BMG (and Columbia House) cds and cassettes growing up as I was a poor cd. Gave me a chuckle then (and still does today) to find one of those ugly BMG bar codes in the wild. The local Zia has hipped to my game though, as they will put their Zia barcode completely over the barcode and you never know what you are actually going to get. Ugh!
I couldn't get past "I was a poor cd." I'm not going to think about it any more; most of you folks are crazy anyway. NP: rock and roll
I'm not an expert but after the Cobra recordings I think that RPWT is some of his best work. It was recorded in 1971 but shelved for five years for some dumb reason(record company stuff)
SACD. 5.1 mix. Another classic. Pretty damn cool mix. The drums fills the room and the electric piano is all over.
SACD. 5.1 mix. First jazz record I ever bought on my first trip to NYC in 2005. IIRC I also bought Birth of the cool
There are two other live Old and in the Way CDs that were released on Grisman’s label - That High Lonesome Sound and Breakdown.
David, you got all old on us... oh... wait... nevermind. He is the coolest of the west coast guys, always loved him, and the way he elevated the famous artist's work on record and live, including Warren Zevon himself. I've got an '80 show with he and Jackson Browne that I cherish. Meantime, Paul McCartney found his way to my digital transport, and back then, he was a cool 30 years old, oh the days. His essence was RAM and Band On the Run. Two of the the 1972-73 album covers that stumped us upon release included: Ziggy Stardust--was he floating above the ground, as we argued endlessly, and all those famous people on the cover of Band On the Run. What years! I remember both rather well. Drink to us, drink to our health... RAM On!
The concerts from early October 1973, from which all these derive, have been released in their entirety. For those of us who cannot get enough Old & In The Way.
<...yeah. out there. that horse must be exhausted, they usually don't sleep on their sides. <lookit that smile, good dreams or what? I guess it feels good to get out of the rain.
I was a poor student, obviously. I have never been, nor do I intend to be, a cd, poor or otherwise. Not that there’s anything wrong with that. (Throws hands up in reverence to Seinfeld)
<way to interrupt a broadcast, Rider And what am I listening to, this morning? An earworm of Diana Ross doing "You Keep Me Hangin' On", strangely enough. I'm karaoke styling with it, at that. Hamming it up. The place where I'm at has good acoustics. High ceilings. "Diana Ross sang of her inability to improve a situation which cast her into a condition of total submissiveness... the song was a march. 'You Keep Me Hangin' On' was a march." Ishmael Reed The playlist for my journey today will begin with a critical assessment of Phish. I may be off the screen for a while, though, so don't abate your breath for the review.
Had to drive into the city (Chicago) for work, yesterday and revisited "Wired for Sound" --- worked well at 6 am dealing with traffic on the Dan Ryan...
An unplanned day off due to my injured back. Making the best of it with a pot of French roast and some herbal painkillers. https://www.laweekly.com/you-wont-be-able-to-resist-orgones-funk/ Spotify is exposing me to a LOT of 21st century funk.