AAA vinyl, but with a digital delay as early as 1979

Discussion in 'Music Corner' started by Pinknik, Feb 13, 2018.

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  1. Pinknik

    Pinknik Senior Member Thread Starter

    I've known for a long time that, at some point, vinyl record cutting involved a digital delay line instead of an analog tape deck with a preview head. I'm not sure why this happened exactly, but there it is. What I haven't known is when exactly this happened, nor have I seen the digital delay unit. Well, today I found this:

    [​IMG]

    The google description says this ad comes from 1979. The site that hosted this image has lots of cool ads like this and it is here:

    Phantom Productions reel to reel tape recorder 1908 ad collection

    Enjoy!
     
  2. c-eling

    c-eling They're made of light,We never would have guessed

    Think I've got a ELO-Discovery, early 80's re-issue that may have used this. It has a frequency cut-off
     
  3. Chooke

    Chooke Forum Resident

    Location:
    Perth, Australia
    Digital Delay Lines were already introduced by the time we got to 1979, but they were not widespread given it was new and very expensive technology.

    DDL was an improvement over existing all analogue technology and processes.

    There is some interesting discussion on the history and use of DDL on the hydrogenaudio forum.
     
  4. Higlander

    Higlander Well-Known Member

    Location:
    Florida, Central
    It is so audiophiles could claim they love the all analog sound, then have to backtrack and say it really did not sound good later.:D
     
  5. Pinknik

    Pinknik Senior Member Thread Starter

    I'm sure it was touted as such, but can you tell me how it was an improvement? The variability of delay time, which was locked in with an analog preview? That's about all I can think of. Anyway, just curious, thanks.
     
  6. SuperFuzz

    SuperFuzz Forum Resident

    Location:
    NYC USA
    It's not "AAA" as the audio is converted to and from digital...
    Hard to believe that 5 seconds of digital delay in 1979 could have sounded good...
    The real revolution in record cutting was when lathes had computer systems controlling groove spacing, etc, via a preview head.
     
    kiddo4 likes this.
  7. moonshiner

    moonshiner Forum Resident

    Location:
    Italy
    Now I know why records from the '60s and '70s sound different
     
  8. Chooke

    Chooke Forum Resident

    Location:
    Perth, Australia
    That is correct, technology marches on and computerisation resulted in greater mechanical precision.
     
  9. Chooke

    Chooke Forum Resident

    Location:
    Perth, Australia
    Could be a number of reasons for that, for example tube equipment. For the most part, I don't thing there is a great deal of sound difference in well made records from the earlier era.
     
  10. Chooke

    Chooke Forum Resident

    Location:
    Perth, Australia
    Mainly in allowing further fine tuning of the sound before the point of no return.
     
  11. aphexj

    aphexj Sound mind & body

    If you strictly interpret the SPARS code then even with digital delay in the signal chain the recording could still be considered AAA (but not All Analogue). The three steps in that code refer to recording medium, mixdown medium, and master tape medium — it is silent on the issue of transport medium

    This is why SPARS code is flawed, especially when referring to vinyl for which it was never intended to be used
     
  12. Mr Bass

    Mr Bass Chevelle Ma Belle

    Location:
    Mid Atlantic
    There was pre Redbook digital from the early 70s with Denon and later 3M, Soundstream and Mitsubishi. Sony had its own pre or proto Redbook digital derived from videorecorders. Yes there is a change in sonics in the 80s compared with the 50s, 60, and 70s IMO. Exactly what did the change has not been analyzed.

    Denon PCM Encoding in 1970s. Is it different than Sony CD PCM?
     
  13. TLMusic

    TLMusic Musician & record collector

    Not so sure about that digital delay, but I am into that Ampex ATR-100 tape machine. What a sound!
     
  14. Chooke

    Chooke Forum Resident

    Location:
    Perth, Australia
    The SPARS code is also flawed with CDs. For example Brothers in Arms is DDD but it was processed through an analog console.
     
    Shak Cohen and aphexj like this.
  15. Classicrock

    Classicrock Senior Member

    Location:
    South West, UK.
    I think you mean between 70's and 80's . There were some good ones but around 79/80 I noticed some vinyl had curtailed bass and a sort of edgy top end. Maybe a coincidence. I'm sure many records up until the 90's were still all analogue cuts but no sure way of telling especially with changes in production style.
     
  16. Chooke

    Chooke Forum Resident

    Location:
    Perth, Australia
    That's interesting. I know that for example, the early presses of the Beatles sound a little bit different to later 70s and beyond issues. Some say it is because the early pressings were tube cut. Whether it sounds better or not is subjective of course but many do prefer the 60s pressings.
     
  17. Mr Bass

    Mr Bass Chevelle Ma Belle

    Location:
    Mid Atlantic
    Well, I meant 80s pressings sound a bit different than early 70s pressings too so it is not a tube vs SS issue per se. New computer guided components where beginning to be introduced more generally around 1979-80. Presumably they impacted the sound but no one has analyzed it component by component.
     
  18. aphexj

    aphexj Sound mind & body

    I bet you Walter Becker did
     
  19. Mr Bass

    Mr Bass Chevelle Ma Belle

    Location:
    Mid Atlantic
    I should have said: and published it in a journal with data tables.
     
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