my 4 favs at the moment and most moments of my Dylan listening! Desolation Row... Ballad Of Frankie Lee and Judas Priest... You Ain't Going Nowhere... I Shall Be Released...
playing Wild Wolf from The Basement Tapes. What a recording this one is! honestly I'm not half sure what he's saying most of it but whatever it is I bet it's the most profound words ever spoken
The latest Crystal Cat release from Dylan’s shows at the Beacon Theatre in NYC. I’ve been listening to the shows on YouTube and was so impressed with how he and his band were sounding, and was waiting for a great recording. A real step up since the Hyde Park show in London last summer in my opinion.
Imagine if there was just a release of some of the best acoustic numbers from '95. I mean Mr. Tambourine Man was the best of the three songs from this show for me just now (I'm on God Knows now), but this (the only one on you tube from the show I could find now), is incredible. these two Philly shows and Berkeley are my favorites from '95. And then there's Prague........
I - wow I'm the only person on SHF who listens to Bob! If this was a Beatles thread what Beatles are you listening to, there'd be a hundred posts each day it seems. Anyway listened to this earlier, listening again to it And MAN does the title track hit home, far too apt for these days (some of the lyrics; the opening lines, the chorus)
Oneonta, New York - 11/19/08 ...threw the bums a dime in your prime, ha-ha, didn’t you... Like A Rolling Stone was particularly good on this evening. Due to the potential rabbit hole when it comes to collecting bootlegs the criteria for me is that it has to be a show that I attended. Anyway, this was a good one. 1. The Wicked Messenger (Bob on keyboard, Donnie on electric mandolin, Stu and Denny on stage for all songs) 2. It Ain't Me, Babe (Bob on harp center stage - no keyboard or guitar, Donnie on pedal steel, Stu on acoustic guitar) 3. The Levee's Gonna Break (Bob on keyboard, Donnie on electric mandolin, Tony on standup bass) 4. My Back Pages (Bob on keyboard, Donnie on pedal steel, Stu on acoustic guitar) 5. High Water (For Charley Patton) (Bob on keyboard, Donnie on banjo, Stu on acoustic guitar, Tony on standup bass) 6. Stuck Inside Of Mobile With The Memphis Blues Again (Bob on keyboard and harp, Donnie on pedal steel, Stu on acoustic guitar) 7. Ballad Of A Thin Man (Bob on keyboard and harp, Donnie on lap steel) 8. Honest With Me (Bob on keyboard, Donnie on lap steel) 9. Workingman's Blues #2 (Bob on keyboard and harp, Donnie on pedal steel, Stu on acoustic guitar) 10. Tweedle Dee & Tweedle Dum (Bob center stage - no keyboard or guitar, Donnie on pedal steel) 11. When The Deal Goes Down (Bob on keyboard, Donnie on pedal steel, Stu on acoustic guitar, Tony on standup bass) 12. Highway 61 Revisited (Bob on keyboard, Donnie on lap steel) 13. Nettie Moore (Bob on keyboard, Donnie on viola, Stu on acoustic guitar) 14. Thunder On The Mountain (Bob on keyboard, Donnie on lap steel, Stu on acoustic guitar) 15. Like A Rolling Stone (Bob on keyboard, Donnie on pedal steel) (encore) 16. All Along The Watchtower (Bob on keyboard, Donnie on lap steel) 17. Blowin' In The Wind (Bob on guitar and harp, Donnie on violin, Stu on acoustic guitar)
Barton Hall, Ithaca, New York 11/15/1999. If the Oneonta show was Bob on it and in a great mood this show is what my friends and I still refer to as The Rake or Charlie’s Rough Night because at one point during the show Bob rolled up the volume on his guitar and up stroked on the strings displeased with something going on in what he was hearing from the band. Bob had shot a few hard looks towards Sexton throughout the performance. On the drive home the four of us came to the consensus that Charlie had nodded to Larry Campbell to “take it” and that Bob had greatly disagreed with this thinking. We were right up front and were getting the sound from the stage and had heard the rake, however I still cannot hear it on my copy possibly due to it being that the sound was recorded from the house p.a. My copy is not a soundboard recording. Also, Phil Lesh and Friends (with Warren Haynes, Derek Trucks, and Jorma Kaukonen) went on first and Phil did acknowledged what had happened the last time that he had played Barton Hall. Somebody Touched Me (acoustic) Song To Woody (acoustic) It's Alright, Ma (I'm Only Bleeding) (acoustic) Tomorrow Is A Long Time (acoustic) Tangled Up In Blue (acoustic) (with harp) Money Honey (song by Jesse Stone) Señor (Tales Of Yankee Power) (Larry on fiddle and Bob on harp) Man Of Peace I Want You (Larry on pedal steel) This Wheel's On Fire (Larry on pedal steel) Cat's In The Well (encore) Love Sick Like A Rolling Stone Forever young (acoustic) Rainy Day Women #12 & 35 Don't Think Twice, It's All Right (acoustic) Not Fade Away
Phil’s set list just for the heck of it: jam Eyes Of The World jam Mountains Of The Moon Soulshine (Warren Haynes on vocals) Mr. Charlie (Jorma Kaukonen on vocals) Cold Rain And Snow Goin' Down The Road Feelin' Bad We Bid You Goodnight
When The Cutting Edge came out someone on this forum compiled a CD's worth of stuff on the big box that wasn't on the 6 CD version.
Times are a Changing. Been on family vacation on Sanibel Island Florida for 10 days. No radio, no CDs , no records ........ iPhone for music. Needless to say quite a bit has changed...... with Corona virus .......beach closed , bars closed, no restaurant dining , grocery stores empty and stock market down making future uncertain. In times like these I look to music for hope. That means a big dose of Dylan. I have lots of Dylan on my phone but not the one I’m wanting to hear. Tomorrow when I get home it’s “Nashville Skyline” I need to hear because it will lighten my mood. Came out Spring 1969 and I played it almost daily through that summer and for me it gets hope. Be Safe
Indeed, it was a terrific show and it also gave my friends and I a glimpse of how Bob leads his band or Bob as an employer. Another show where this was shown was a year later at Lehigh University (11/8/00) when Bob gave Charlie a thumbs up at one point and was clearly showing his approval throughout the show. Like Miles Davis getting either look just might make one’s night or make it rather unpleasant. Immediate feedback if you will.