David Bowie Aladdin Sane Poll. Pick Your Favourites & Discuss.

Discussion in 'Music Corner' started by Bobby Morrow, Apr 11, 2018.

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  1. NightGoatToCairo

    NightGoatToCairo Forum Resident

    Location:
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    You can't polish a turd :pineapple:
     
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  2. Bobby Morrow

    Bobby Morrow Senior Member Thread Starter

    UK charts from May 1973.

    [​IMG]
     
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  3. footprintsinthesand

    footprintsinthesand Reasons to be cheerful part 1

    Location:
    Dutch mountains
    Getting ready for the usual Stones cover forum critique :tsk:

    Don't play the album a lot, but it's great when I do (WG RCA). Artwork is beyond iconic, heard The Jean Genie way too many times, but Drive-in Saturday is always brilliant.
     
  4. blastfurniss

    blastfurniss Forum Resident

    Location:
    Marion, OH, USA
    I rank this below Hunky Dory and Ziggy Stardust but it's still an amazing work. Iconic album cover and Mick Ronson just destroys everything in his path with his heavy riffs. Worth the price of admission for Panic in Detroit alone. The Prettiest Star isn't one of my favorite Bowie songs but Ronson saves it for me unlike the Stones cover which is just flat out awful.
     
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  5. Mike Reynolds

    Mike Reynolds Forum Resident

    Location:
    California
    The standout tracks on this album to me are "Aladdin Sane", "Panic In Detroit", "Cracked Actor" and "The Jean Genie".

    I also voted for "Watch That Man", "Drive-In Saturday Night" and "Let's Spend The Night Together", which are all second-tier album tracks. (imo)

    In the overall hierarchy of Bowie's 70's albums, I rank Aladdin Sane third best after Ziggy and Young Americans -- and just ahead of StationToStation and Diamond Dogs.

    Naturally I re-sequenced the album for maximum enjoyment:

    Side 1
    Aladdin Sane
    Panic In Detroit
    Cracked Actor
    The Jean Genie
    Watch That Man

    Side 2
    Let's Spend The Night Together
    Drive-In Saturday Night
    Time
    Lady Grinning Soul
    The Prettiest Star
     
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  6. Chrome_Head

    Chrome_Head Planetary Resident

    Location:
    Los Angeles, CA.
    What an awesomely bizarre UK album chart in 1973--Bowie, Roxy, Zeppelin, Alice, Pink Floyd, Beatles and the Clockwork Orange soundtrack, all in the top 20.

    I am a bit surprised to see Dark Side Of The Moon down at 12th in the seventh week of release.
     
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  7. Alf.

    Alf. Forum Resident

    Location:
    UK
    Three great albums in a row: Hunky; Ziggy; Aladdin. I rate all the tracks, even the Stones cover. The artwork is FAB.
     
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  8. Bobby Morrow

    Bobby Morrow Senior Member Thread Starter

    Don’t worry. DSOTM would rally.:D It stayed on the charts for donkey’s years.

    Rock fans would kill for a top 10 albums chart like that today.
     
  9. The Panda

    The Panda Forum Mutant

    Location:
    Marple, PA, USA
    IN HS, it was such a scandal--the chorus of Cracked Actor. A Catholic school girl I knew called the song "**** Baby ****" and would turn red when she said it. I just loved Ronno in major Jeff beck mode throughout. The Bo Diddley beat of Detroit was probably my #2. The R&B touches of the backing singers was very cool. And I loved the deconstruction of the Stones song. I get it that the songs was so polite in the music and so 'corrupting' in the lyrics and it works as the two sides conflict. This version just goes for the jugular. The piano, the key instrument in the Stones version, is there at the beginning , doing some kind of off key avant garde melodies. It shows that what is coming will either send you running or get you dancing. The end talking didn't put me off, cause once again Ronno is flying.
     
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  10. NightGoatToCairo

    NightGoatToCairo Forum Resident

    Location:
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    There's a reason for everything :)

    Is Drive-In Saturday Bowie's least known big hit?
     
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  11. Bobby Morrow

    Bobby Morrow Senior Member Thread Starter

    Not to mention the word ‘wanking’ in Time... Pretty much stopped that song getting any airplay in the UK.
     
  12. Neonbeam

    Neonbeam All Art Was Once Contemporary

    Location:
    Planet Earth
    Apparently Bowie even did barcodes ten years earlier than everybody else! :righton:
     
  13. Bobby Morrow

    Bobby Morrow Senior Member Thread Starter

    Possibly.. He had so many hits in the UK in 1973 and DIS does seem to be the one people forget about.

    Yet most of them recall The Laughing Gnome which made #6 that year!
     
  14. NightGoatToCairo

    NightGoatToCairo Forum Resident

    Location:
    .
    He should have rerecorded Gnome and put that on the album instead of The Stones cover :pineapple:
     
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  15. DME1061

    DME1061 Forum Resident

    Location:
    Trenton, NJ
    My first Bowie album and my favorite of his, so this one is very special for me. Bought it in the late summer of 73. I love them all, but if I had to pick a top 5 it would be:

    Drive In Saturday
    Watch That Man
    Time
    Aladdin Sane
    Cracked Actor
     
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  16. jon9091

    jon9091 Master Of Reality

    Location:
    Midwest
    The title track has always been my favorite, and the one that got me hooked on this album.
    This is one of my favorite Bowie albums...I would at times say it is the one. No, I don’t care for The Stones cover...but that’s really the only misstep on the album IMO. Great cover. All the original pressings I’ve found still have the fan club send away.
     
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  17. alexpop

    alexpop Power pop + other bad habits....

    Bought mine summer of '73, carried my Canadian copy proudly under my arms. Got a few stares alright.
     
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  18. Daniel Plainview

    Daniel Plainview God's Lonely Man

    I clicked all except the Stones cover (which I don't hate, I just like it least). I love this record, I play it all the time.
     
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  19. Chrome_Head

    Chrome_Head Planetary Resident

    Location:
    Los Angeles, CA.
    I think the Stones cover actually works a lot better in the context of the live Spiders show, along with the Velvets cover "White Light / White Heat".

    I wish they had released a really good-sounding live Ziggy & The Spiders album during this era, something with better sound than the Ziggy Stardust: The Motion Picture soundtrack has.
     
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  20. alexpop

    alexpop Power pop + other bad habits....

    Always thought bOwIe was mad for dumping the spiders. Just imagine how Diamond Dogs would have sounded with them in the studio, more bollocks than dystopian. I would have accepted the dogs bollocks in sound myself.
     
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  21. johnnyyen

    johnnyyen Senior Member

    Location:
    Scotland
    I like every track on the album, and the cover is one of the best ever. Bowie at the top of his game, and amazingly, the best was yet to come, in the form of Station To Station, Low, and “Heroes”.
     
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  22. mark winstanley

    mark winstanley Certified dinosaur, who likes physical product

    great album, picked most of them
     
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  23. blaken123

    blaken123 Your Greater Tri-County CD Superstore

    Location:
    Lexington, KY
    What a great album! Overall not as consistent as Ziggy (on Aladdin Sane I don't get the title track, the cover song is unnecessary, and Jean Geanie is a trifle) but the best songs on Aladdin Sane, like Panic in Detroit, Time, and Watch That Man, are simply on another level. Also, this album sounds great... unlike Ziggy (and almost everything else from the Bowie discography) it actually sounds like heavy rock n roll. I especially like the mix on Watch That Man, with the buried vocals and blazing guitars.
     
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  24. AlienRendel

    AlienRendel Senior Member

    Location:
    Chicago, il
    It would be perfect if not for that awful Stones cover.
     
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  25. Etienne Hanratty

    Etienne Hanratty Forum Resident

    Location:
    uk
    When I started buying his albums in the 1990s, this was the first one to disappoint me. Even then, there were songs I enjoyed but it didn’t work as an album in the way Ziggy or Hunky Dory did. It didn’t help that it was the only Rykodusc reissue without any bonus material but songs like Watch That Man and Panic In Detroit seemed ordinary in comparison to what had gone before and what was to follow. The piano ballads felt a little underpowered, too.

    It’s grown on me now, but it’s still my least favourite of the classic Bowie albums though, paradoxically, it has my favourite sleeve art of any album.
     
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