SH Spotlight DCCs Cream "Wheels of Fire" 24kt Gold question/Steve's "Adventures In Mastering"

Discussion in 'Music Corner' started by proufo, Jun 7, 2003.

  1. goodboyfred

    goodboyfred Forum Resident

    Miss the DCC heyday! I’m an old guy, I only stream at the gym or backyard, all physical media in the house. PS. The dog woke up so I blasted Crossroads then the first disc. PSS. I wish you had extended Passing The Time to the even longer rocking finish.
     
  2. Steve Hoffman

    Steve Hoffman Mastering Engineer Your Host

    There was an end piece to PASSING THE TIME actually. I left it off, felt it was pushing it. After the organ ending it goes into the uptempo "passing the tiiiimee" part again for about a minute before fading out.
     
    goodboyfred likes this.
  3. supermd

    supermd Forum Resident

    Location:
    San Jose, CA
    Hey Steve,

    While we're on this subject, you once mentioned you heard another live version of Crossroads from the same set of March 1968 shows that brought us the album version. Any idea if that still exists?
     
  4. Steve Hoffman

    Steve Hoffman Mastering Engineer Your Host

    Bill L. would know, I'm sure, yes. He had an alternate bunch of shows he got from the live engineer. What the heck was his name? Ah, Halverson.

    Look here, another unissued Cream gem:

    Bill Halverson - Legendary Producer, Engineer, Arranger - Bio
     
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  5. Tommyboy

    Tommyboy Senior Member

    Location:
    New York
    I wish this was given the audiophile treatment on vinyl. I’m not crazy about any of the reissues, MoFi, 2014 UMG box set reissue, Simply Vinyl, etc.
     
  6. Steve Hoffman

    Steve Hoffman Mastering Engineer Your Host

    We cut it at DCC for vinyl. Had about 100 TP's floating around out there around 20 years ago. Never issued the thing though, the cost at that time was just too much to replicate the original art, etc. again.
     
    Tommyboy likes this.
  7. Tommyboy

    Tommyboy Senior Member

    Location:
    New York
    That’s too bad. I would have gladly “settled” for the cheap cover art! I’m sure those test pressings are the go to versions.
     
  8. Steve Hoffman

    Steve Hoffman Mastering Engineer Your Host

    Maybe, haven't played my set since that time. Tom Port had a bunch of them, probably sold all..
     
  9. Tuco

    Tuco Forum Resident

    Location:
    Pacific NW, USA
    Threads like this is why I love this forum. Thanks, Steve.
     
  10. Dingo

    Dingo Forum Resident

    Location:
    Australia
    Took an age to score a copy of this. I think the measure of a great master is the retention of the excitement factor.
    "WHITE ROOM " still sounds as if it was beamed in from a time that never really was. DSOTH does indeed now have a crunch factor that was here-to-for uncaptured. " PRESSED RAT" now has the patina that suggests the Alice Through the Looking Glass/ Vaudeville intentions of Ginger and Felix.
    IMHO Disraeli Gears and Wheels represent Claptons' peak as an inventive guitarist. Before and after, his blues roots/aspirations are in ascendance. Not a bad thing, but Gears, and the DCC of Wheels are forever my go-to.
     
    davenav likes this.
  11. lukpac

    lukpac Senior Member

    Location:
    Milwaukee, WI
    I have a feeling that may have just been an alternative to the crossfade used in the final version, rather than a piece for the end of the song. It's exactly the same as what's at 2:04 in the song, and eventually fades after about 36 seconds. Maybe a proposed 45 edit that was ignored?

    Halverson's rough mixes have been released, which were from the fall shows. I don't think he had any mixes from the March shows.

    Cream's 'Goodbye Live Tour 1968' For Four-CD Special Edition | uDiscover
     
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  12. Khamakhazee

    Khamakhazee Forum Resident

    Location:
    Canada
    Awesome read, thanks. I would love to see you tackle Bat Out of Hell.
     
  13. Steve Hoffman

    Steve Hoffman Mastering Engineer Your Host

    That would be easy, just find the midrange.
     
    Khamakhazee likes this.

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