I'm in America, but I think the ratio is better in Europe. Also keep in mind they wouldn't be showing bad foreign movies on TCM (as well as other outlets)… I consider Russia or the USSR a part of Asia, but culturally (movies), I guess I'll add them here.. But I won't include movies from the UK. I'll also omit movies by European directors whose entire movie is in English (My Dinner With Andre, for example).. La Strada The Battle of Algiers Umberto D Shadows in Paradise Bicycle Thieves La Grande Illusion Shoeshine The Seventh Seal Wild Strawberries M The Cranes Are Flying The Earth Trembles Sunflower Stroszek The Sign of the Leo Take Care of Your Scarf, Tatiana Lulu the Tool Ariel Beautiful Dry Summer Ordet A Special Day Persona La Terrazza Il Sorpasso The 400 Blows Le Trou The Roof Pickpocket Le Chat Never on Sunday Autumn Sonata La Vie de Boheme La Horse A Brief Vacation Sult Whity His Days are Numbered Two Women Rocco and His Brothers Accatone Nights of Cabiria A Man Escaped Eyes Without a Face Serie Noire Knife in the Water Le Jour Se Leve Le Notti Bianche Carriage to Vienna The Ear The Hunt Fists in the Pocket The Organizer A Bad Son Scenes From a Marriage The Worthless The Bridge Turkish Delight Mamma Roma The Rules of the Game The Fire Within Shame Alice in the Cities Beau-pere Mr Klein Kranes Konditori Los Olvidados Yesterday Girl Le Cercle Rouge Ole Dole Doff The Match Factory Girl The Fifth Seal Fate of a Man L'Argent Kapo Miracle in Milan Two Half-Times in Hell The Round-Up I Only want You to Love Me Sundays and Cybele La Notte Big Deal on Madonna Street Adoption Purple Noon Slap the Monster on Page One Paisan Il Generale Della Rovere The Shop on Main Street Death in Venice La Dolce Vita Day of Wrath Romeo, Julie a tma Wings of Desire Drifting Clouds Get Out Your Handkerchiefs Il Grido The Leopard The Forest For the Trees Mr Kinky A Generation My Way Home Amelie Veronika Voss Diary of a Country Priest Chloe in the Afternoon Ali: Fear Eats the Soul A Gentle Creature Umut The Merchant of Four Seasons The Castle of Purity The Emigrants Belle de Jour Ballad of a Soldier L'Eclisse Mother Kuesters Goes to Heaven Le Havre Le Petit Soldat Crime and Punishment Contempt The Cousins The Punishment The Edukators Summer with Monika Hothead The Other Side of Hope It Happened in Broad Daylight My Night at Maud's This Man Must Die The Bitter Tears of Petra von Kant Two Men in Town Mille milliards de dollars The Ascent Germany Year Zero Le Beau Serge Interrogation The Promise The Vanishing Cinema Paradiso The Piano Teacher Documentaries Place de la Republique Chronicle of a Summer Le Joli Mai Black Box BRD
Mexican, not European. As discussed in the other thread on European cinema, the consensus within the film industry is that it’s the origin of the production that is important in this regard, not the birthplace of the director. Buñuel was living and working in Mexico at the time. The production company, the crew: everything about this film marks it out as a Mexican production.
No worries. Because of the Spanish Civil War, Buñuel made relatively few films in Spain, or for Spanish production companies. He worked a lot in France before moving to Mexico for many years, then returning to Europe for that great run of classics toward the end of his career.