Here's some very rare behind-the-scenes shots on the CBS-TV series The Many Loves of Dobie Gillis (1959-1963), a rare look at a B&W 3-camera sitcom. I believe those are Mitchell BNC cameras on Chapman crab dollies. [pictures courtesy of Terry Wilkie on the Randy West Appreciation Group on Facebook]
Here's a 1934 still pic from my friend, sound great Richard Van Dyke, who says: Behind the scene shot from, "Forsaking All Others," with Joan Crawford and Clark Gable. The Director sitting on the stool is someone I was asked if I was related to many times, early in my career as I worked with some older folks back then, is W.S. Van Dyke. I love this time in film history, look at the crew intently watching the filming, just as the Director is, and no video village, the Director respected the Cameraman to get the shot they had set up and the Director focused his/her attention on the performance. Also great shot of an old microphone in a perfect spot. Amazing detail given that this shot is 85 years old!
Stuart Margolin, Angel on the Rockford Files, in the crowd at Monterey, 1967 credit to dance_hall_keeper
Trevor Howard & Laurence Harvey on the set of The Charge of The Light Brigade, 1967 Harvey owned the rights to the book on which John Osborne's early script for the film The Charge of the Light Brigade (1968) was partially based, Cecil Woodham-Smith's book The Reason Why (1953). He intended to make his own version. A lawsuit was filed against director Tony Richardson's company Woodfall Film Productions on behalf of the book's author. There was a monetary settlement, and Harvey insisted on being cast in a cameo role (being cast as Prince Radziwell) as part of the agreement for which he was paid £60,000. Charles Wood was brought in to re-write the script. Harvey's scenes were cut from the movie at Richardson's insistence, except for a brief glimpse as an anonymous member of a theatre audience which, technically, still met the requirements of the legal settlement. John Osborne asserted in his autobiography that Richardson shot the scenes with Harvey "French", which is film jargon for a director going-through-the-motions because of some obligation, but with no film in the camera.
Some great off-screen photos of Hitchcock's 1955 classic "To Catch A Thief" starring Cary Grant & Grace Kelly