The *Frank Sinatra* recordings thread

Discussion in 'Music Corner' started by Sean Keane, Sep 22, 2008.

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  1. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    Yes. Most of the songs were singles. The only first issues on this LP were "Dear Heart" and "Pass Me By." A grab bag of arrangers: Nelson Riddle, Billy May, Marty Paich, Don Costa, Ernie Freeman.
     
  2. Drawn from various recording sessions scattered over 1963 and 1964.
     
  3. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    And 1962 ("The Look of Love"). Since it went out of print long ago, the CD reissue of this Reprise album is one of the more difficult (and expensive) to find. It's just been reissued in Spain and Portugal (this week, in fact).
     
  4. bluesbro

    bluesbro Forum Hall of Shame

    Location:
    DC
    Mine is manufactured in Germany, Reprise 927 028-2
     
  5. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    I could have sworn you wrote "France" and that had me scratching my head. :) Yeah, the German pressing is almost as rare as the USA one (Reprise 1013-2). The bar code number (27028) is the same.
     
  6. bluesbro

    bluesbro Forum Hall of Shame

    Location:
    DC
    I did but I edit it after wards. The word 'France' is spelled on the back, but its just to specify the different catalogue number I guess.
     
  7. bluesbro

    bluesbro Forum Hall of Shame

    Location:
    DC
    How about "My Kind of Broadway"? I dont have this one. Is it just another compilation? If so, is there any reason to get this one?
     
  8. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    Yes, it's also a compilation. Slightly different than Softly, As I Leave You, since most of the songs were drawn from other albums instead of singles. From an SFF post:

    The one other song which was noteworthy when the LP was issued is "Luck Be A Lady" which, at that time, had only appeared on the somewhat obscure Reprise Musical Repertory Theatre LP of Guys and Dolls. Today, of course, it can be found on many CDs.

    Is there any reason to get this one? I think so, for the three songs mentioned above. All the others appear on other albums.
     
  9. Sean Keane

    Sean Keane Pre-Mono record collector In Memoriam Thread Starter

    I wonder if they'll ever release I Can't believe I'm Losing You without the over-dubbed guitar done four years later.
     
  10. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    You mean WITH the overdubbed guitar, don't you? Issued only on a 45 and a jukebox record, and nowhere else since, I believe.
     
  11. The 1968 single issue has the guitar overdub. THe Softly As I Leave You LP has the song, sans guitar, no?
     
  12. Sean Keane

    Sean Keane Pre-Mono record collector In Memoriam Thread Starter

    Oh, I assumed the over-dubbed one was what went out on CD. Thanks, Bob.
    By the way, Bob - have you heard Autumn Leaves on the mono LP? It's an alternate take, though with Sinatra recordings that could mean the slightest intercut. I've Heard That Song Before is a perfect example of what I mean.
     
  13. MMM

    MMM Forum Hall Of Fame

    Location:
    Lodi, New Jersey

    A jukebox special issue, really - in the U.S.? I thought these songs were only released together on the 7" single. I requested these for airplay on Nancy's show because they're pretty obscure in this form - maybe they'll air soon?
     
  14. MMM

    MMM Forum Hall Of Fame

    Location:
    Lodi, New Jersey

    I think it's a partial alternate/intercut. Years ago on the Sinatra Forum, I posted notes on what section of the song sounded different to me between the mono and stereo "takes", and what seemed the same. What I hear as the intercut section is a better performance, IMO. See the thread/post linked below, and also posts following it :

    http://sinatrafamily.com/forum/showthread.php?p=299925
     
  15. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    Yes, that's correct. It's a bass guitar overdub by Max Bennett.

    The original track was recorded in 1964 and appeared first on the LP Softly, As I Leave You. The next year, it was placed on the B side of a single with "Forget Domani" (Reprise #0380). "Forget Domani" charted (7 weeks on Billboard singles chart, peaked at #78); "I Can't Believe I'm Losing You" went unnoticed in 1965.

    Three years later, in 1968, another single was issued (Reprise #0677) with remastered versions of "I Can't Believe I'm Losing You" on the A side and "How Old Am I?" (from the September Of My Years LP) on the B side. Both songs had the added guitar overdub. They've never been released on LP or CD. This time, "I Can't Believe" charted (5 weeks, peaked at #60).

    I have a source which states the "I Can't Believe" with guitar overdub was used on a US 6-song jukebox cutdown of the Softly, As I Leave You album (Reprise SR-1013, with a cardboard picture sleeve). I assume this was a 33-1/3 RPM 7-inch format. You mentioned these once on the SFF, Martin, but I don't know much about them.

    After 40 years (OMG!), I can't remember either one of the overdubbed songs. It would be nice if Chuck can dig those up to play on Nancy's Sirius show.
     
  16. Ronald Sarbo

    Ronald Sarbo Forum Resident

    Location:
    NY, NY, USA
    I believe the 2 overdubbed recordings are on "The Voice Vol. 3" LP from Italy.
     
  17. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    Can you confirm that, Ron? I have a source that indicates otherwise.
     
  18. Ronald Sarbo

    Ronald Sarbo Forum Resident

    Location:
    NY, NY, USA
    Bob: When I played the 2 tracks on the LP I thought they were the same as the single but I could be wrong.
     
  19. MMM

    MMM Forum Hall Of Fame

    Location:
    Lodi, New Jersey

    Bob, thanks. While I've never heard the record and obviously can't state definitively yes or no, I seriously doubt that EP has the overdub version. Those EP's should match the contents on the whole LP's they're drawn from. The EP was probably issued with or around the time of the release of the album, and "How Old Am I?" wasn't even recorded yet when the SOFTLY album was released. I've never read or heard any details about the overdubs being done, but I'd bet they were probably both done in 1967 around the same time (possibly at the same session) for the release of the "special" versions for this particular single (Reprise 0677). Also, that SOFTLY EP should be stereo (those records were produced for jukeboxes that played 7" 33 1/3 stereo records), and if the intention for the overdub version was for a single release only, it/they were probably mixed only to mono. I'd really like to know the real reason why those overdub versions were done in the first place. I find it interesting that they exist at all. Also, how were these two songs chosen for guitar overdub, etc.
     
  20. Bob F

    Bob F Senior Member

    Location:
    Massachusetts USA
    Not necessarily. You're probably correct, Martin, but it's possible the EP was released to coincide with the popularity of the '68 single. It only contains six songs from the album, and there is no indication it was part of a set. Like you, I can't definitively state yes or no, but it's specifically listed along with the 45 as containing the overdubbed version (and it's the only other issue so listed as such).

    According to AFM sheets, the bass guitar overdubs by Max Bennett were recorded on March 14, 1968, at Western Recorders 2 in Hollywood, from 9 A.M. to 12 Noon. The two titles received new master numbers and were issued by Reprise on the single RPS 0677 within a month. The single A-side ("I Can't Believe I'm Losing You") reached the Billboard chart on April 13, 1968 and stayed for 5 weeks, peaking at no. 60.
     
  21. MMM

    MMM Forum Hall Of Fame

    Location:
    Lodi, New Jersey
    Figured it was Western (instead of United), given where Frank was recording at that time...thanks Bob. I used to think it was '68 for this release, then read a date somewhere that the record was released in '67. I think when I recorded a request for the songs to be played Nancy's show, I said '67 - oops! :) The titles need new master #'s because they were, well, new (sort of)! They needed to differentiate these versions from the earlier ones...

    Those 6 song jukebox EP's didn't have "parts" that I'm aware of (unlike some earlier variants of these releases that had 1 song per side, and multiple records to make a set). These were just a sampling of an album to the best of my knowledge.
     
  22. nickelz24

    nickelz24 Forum Resident

    Location:
    Honolulu,Hawaii
    I have a more technical question, but still related to Sinatra recordings. When echo was added to a mix at Capitol, was it usually added to the entire mix as a whole or particular instruments?

    By the way..I made a thread asking about Capitol's mixing console. If anyone has more technical knowledge of this stuff, please check it out and fill me in. Thanks.
    http://stevehoffman.tv/forums/showthread.php?t=161446
     
  23. Steve Hoffman

    Steve Hoffman Your host Your Host

    Location:
    Los Angeles
    Capitol mixing console stuff has been gone over here many times (with pictures of the vintage Capitol Studios both Melrose and Tower). Do a search..

    Echo at Capitol was a special thing, even at Melrose. Echo on the instruments from one chamber and a different chamber on the vocal (if any). This was to make sure that low level instruments would be covered by 'verb as well as the higher volume vocals or lead instrument.

    Echo didn't go nuts at Capitol until 1957 when for some reason they cranked it DOUBLE what it was in 1956. Listen to ALL THE WAY. Yikes!

    If you have the DCC Nat "King" Cole "LOVE IS THE THING" Gold CD or LP notice I had to do the same thing on the mixes. The orchestra was so low level that it wasn't getting any reverb at all except during peaks so it sounded too dry. I did the old Gold Star Studio trick of compressing the echo before it printed on the tape to give the music some kind of foundation. I used Echo Chamber #9 at Capitol for Nat's voice, EQ'ing the echo as they would have in the old days, cutting the top end, boosting the lower mids to simulate an RCA Ribbon mic in the chamber. Worked so well I did it on all of my Peggy Lee, Nat Cole and even my Frank Sinatra remixes!
     
  24. Chris C

    Chris C Music was my first love and it will be my last!

    Location:
    Ohio
    Martin, I have BOTH, the 45 of "I Can't Believe I'm Losing You"/"How Old Am I", on the GOLD Reprise 45 label AND the 33 1/3 Jukebox EP (REPRISE SR 1013), 6 track EP for "Softly As I Leave You" on the tan/brown Reprise label, with the songs...

    Side A
    Dear Heart
    Pass Me By
    I Can't Believe I'm Losing You

    Side B
    Come Blow Your Horn
    Softly As I Leave You
    Then Suddenly Love

    I don't have time right now to check, but possibly tomorrow. What kind of "overdub" should I listen for, on "I Can't Believe I'm Losing You"?

    By the way, I actually have quite a few of those SINATRA Jukebox EP's in my collection, especially since I have a juke that plays 'em. My favorite jukebox EP, outside of the ones that I have, that make up the "Sinatra & Strings" album, is the Nancy Sinatra, "Movin' With Nancy" EP, which includes Frank's wonderful track, "Younger Than Springtime" on it!

    Chris C
     
  25. nickelz24

    nickelz24 Forum Resident

    Location:
    Honolulu,Hawaii
    Cool. Thanks Steve. I have 2 more quick questions, which you can just answer yes or no. That way we don't go too off topic.

    1.Did you do the compression trick for both vocals and instruments?

    2.Did you compress before you EQ'd?
     
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