I finally got around to listening to the FLAC samples for Cannonball Adderley's Somethin' Else that someone (or some people?) posted on this forum. Three tracks, the APO redbook layer and the original "non-remastered" Blue Note CD for each. The original Blue Note CD is fine for a CD from that era, but the APO is definitely an improvement. A better transfer overall - it sounds smoother and more natural than the grainier transfer heard on the Blue Note CD - but Kevin Gray also softened what can be a piercing high end on RVG's recordings. It's easiest to hear on the cymbals (which are heard almost constantly) and when the horns are peaking as well - the louder you play the Blue Note CD, the more piercing it will be, but at the same level the APO redbook layer doesn't sound as strident. It's more enjoyable and bearable when the horns blare.
While I agree that the APO sounds smoother, I personally find the CP35 to be more open and natural, and not piercing.
Mastered by Kevin Gray, it's fantastic. I love it. Some of his best work, the AP SACD is the best the album has ever sounded. I'm going to pick up Steppenwolf's Gold: Their Great Hits SACD this week with the 15% sale.
Thank you so much for your reply. I am going to order the self titled today and take advantage of the 15% discount as well. That's a no brainer if Kevin Gray mastered it.
This recent release arrived today. One listen and it is already among my favorite Analogue Productions SACDs. Superb sound, singing and liner notes!
I agree. They're brighter than the brilliant SACDs done in the mid 2000s, and they're extremely expensive. The old SACDs make a lot more sense.
Going over the track listing, it looks like Chad selected one track each from AP's back catalog of female vocalists they've already done on SACD. A real good idea, if a bit limited by confining the choices to AP's already released SACDs. I always enjoy compilations on SACDs. We've actually seen more of them from Asia than we've actually gotten here in the States.
I disagree with pretty much everything that author said about those SACDs. Listening to the SACDs after getting used to a handful of the AP vinyl releases was a revelation. I've never thought vinyl was a suitable medium for classical music.