A Momentary Lapse of Reason Pink Floyd

Discussion in 'Music Corner' started by Fishoutofwater, Oct 21, 2017.

  1. Zack

    Zack Forum Resident

    Easton, MD
    OK, but doesn't hold a candle to the Final Cut. Learning to Fly, One Slip, On the Turning Away, and Sorrow carry the album. The rest is pretty dire, especially Dogs of War. The album's existence allowed me to see two Pink Floyd tours, so it has lots of merit strictly in that sense.
    DTK likes this.
  2. Psychedelic Good Trip

    Psychedelic Good Trip Forum Resident

    New York
    In some ways AMLOR has aged well in 30 years. It's quirkiness at release has smoothed out somewhat in three decades. IMHO
    bloode and RangerXT like this.
  3. DaleClark

    DaleClark Forum Resident

    Bexley, Ohio
    When I was in high school, I loved The Final Cut. I went back and listened again when the remasters came out...I couldn't get thru it. I also loved AMLOR, now I can only listen to certain tracks. The Division Bell holds up much better
    petercl likes this.
  4. Rfreeman

    Rfreeman Forum Resident

    Lawrenceville, NJ
    A partial return to form after the dreadful Final Cut and the 50% filler album that preceded it. Most of the cuts were done even better on Delicate Sound and they completed the return to form with Division Bell which easily sands among their 10 best albums.
    petercl and RangerXT like this.
  5. Thoughtships

    Thoughtships Forum Resident

    Devon, UK
    I always felt it was like About Face Volume Two...
    DTK likes this.
  6. DTK

    DTK Forum Resident

    Definitely a business decision to use the PF name.
  7. Instant Dharma

    Instant Dharma Forum Resident

    East Bay, Ca
    It was also a big FU to Roger.

    It never felt like About Face pt 2 to me. He definitely tried to make a more Floydish sounding album and he partially succeeded.
    enro99, RangerXT, DTK and 1 other person like this.
  8. Psychedelic Good Trip

    Psychedelic Good Trip Forum Resident

    New York

  9. Mbe

    Mbe Forum Resident


    The boat and oars could almost topple an unsuspecting audience

  10. samthesham

    samthesham Forum Resident

    Moorhead MN
    Being a Floydian since late 60s I don't condemn any of their music.When 1st released in 1987 I literally wore it out.This is the one Floyd LP that must be played LOUD to fully enjoy.When dialed to 10 this Floyd rocks.Nothing but love for AMLOR.Peace.
    Note:My choice for weakest LP is Waters dominated TFC.
    Last edited: Dec 6, 2017
  11. Mbe

    Mbe Forum Resident

    May be I left many somewhat bemused by my previous post so let me explain if I may,

    Reading the comment about ‘oars’ reminded me of that particular section of audio when experienced from the pitch of Wembley Stadium
    where the boat with its creaking / splashing of oars sounded to be passing overhead front to back, which I thought very impressive for such a large venue (quite mind blowing).

    The sound checks throughout the day (Lazy Saturday August 1988) gave clues as to what could later be experienced once inside,
    at certain times during the sound checks the ground around Wembley Stadium would tremble like an earthquake.

    Ah, the days before everyone in the audience had a mobile device to hold aloft, get a room = Room 101.

    Last edited: Dec 7, 2017
  12. KDubATX

    KDubATX Forum Resident

    Not a bad record, but one that is ignorable more so than most anything else in the PF catalog.
  13. California Couple

    California Couple Forum Resident

    Newport Beach
    When I first heard it I thought it was middling. After a few years I needed some new music and I bought it. I have grown to like it a lot.

    Far better than The Final Cut, I think I like it more than anything that came after Wish You Were Here.
    Fishoutofwater likes this.
  14. timiller

    timiller Member

    Murpyh, TX, USA
    I loved the album when it was first released. I got the CD and LP the day it came out. I was 18 at the time and had only gotten into Pink Floyd about a year or two before. I was a Sophomore in college at the time. I played the snot out of that album. I agree with what others have said that it was an attempt to get back to the feel of WWYH. Animals, The Wall and The Final Cut are the albums where the words are the focus. This gets back to the Music first.

    Yes, I know. Gilmour is not that great a lyricist and never claimed to be or wanted to be. Rick was okay but was beaten into submission by Waters early on. So they brought in some out side help for lyrics, and unlike some bands, they gave everyone publishing credit, even if they only provided an instrumental solo.

    I like the 'space' that this record has. The songs have room to breath. I know it started out as a Gilmour solo record and that Mason came on early and they only got Wright in at the last minute and his contributions to the album were limited, but this feel more like a band project than the Wall and the Final Cut do.

    It does suffer a bit from mid80sitous, but not nearly as much as Radio KAOS does. HUGE reverb on those drums.

    I think start to finish it is a pretty darn good listen. The Division Bell has some better tuns on it, but it has more 'filler' than AMLOR does in my opinion.

    I would slot this below WYWH, DSOTM and Meddel and probably Animals. but above The Wall, TFC and everything else except maybe PATGOD.

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