I just got an AT33PTG/ii on my new Thorens TD 147 and while it is still below the 20 hour break-in period it sounds fantastic. It still has a romantic sound to it while being clearer and more up front than my Denon 301mkii. Surface noise is all but gone and the noise floor has entirely dropped. This also might be the best tracking cart I've ever used. The Denon was great in that regard too, but the PTG/ii is even better. Right now I'm listening to the RL-mastered Camel - Moonmadness and it sounds so clear yet immersive.
Last year I swapped my Jico SAS1 for the AT33PTG/ii and it was a huge upgrade. Better in every respect other than the fact I lost a bit of slam/bass. Incredibly quiet in the groove with surface noise greatly reduced. An absolute bargain really. I would never go back to MM now. I run a vintage system - Quad II's into EMI elliptical drivers. I started off using a head amp but quickly bought a pair of Llundahl SUT's and began experimenting with loading on the primary and secondary windings. The difference is amazing. My opening target was 100 ohm which was obviously way off and I eventually ended up loading the secondaries at just 3 ohm! The detail is incredible.
i saw them in Bic-Camera and Yotobashi chain stores but on e-bay they are somehow cheaper than i saw them in Tokyo.
I am on my second AT33EV, which I've been using for about 10 months now. While I was in between AT33EV's, I mounted up a NOS Astatic MF-300 that I had never used, and while it lacked the detail and precision of that AT33EV, it had one thing in spades: tons of bass slam. I didn't think my speakers were capable of so much low-end power. The Astatic is an excellent performer, but can't compete with the AT33EV in any area except the bass. But I still wonder why that Astatic could rock the bass so well.
Dredging up a slightly old thread here - but I'm very curious to know why it is that the 33PTG would cut down so much on surface noise vs. the 150MLX - is it just a matter of the high end of the 150 being a little higher at specific loads, and is it reasonable to assume that if the loading was right , the 150 would be just as quiet given it's the same stylus/cantilever?
The stylus shape could be a factor but I think it's simply the frequency response. The AT150MLX has a bit of top-end hump that would tend to emphasise sharp ticks whereas the AT33PTG/II is the opposite - it has a bit of a top-end dip that tends to de-emphasise the clicks, along with any harshness in the original recording.
I used the Denon 301mk2 for about a year or so before getting the AT33PTG/ii. I thought the Denon was great with lack of surface noise, but the AT33PTG/ii shatters it. I can't believe how most surface noise is so subdued and barely noticeable.
Yeah, I was amazed too when I first listened to my AT33/PTG/ii - it really made a difference to the way I viewed my collection. I had LP's that I weren't happy with because they were a bit too noisy and I was thinking of splashing more cash on replacements - but the PGT totally changed that. It actually saved me money in the long run.
: So far, my experience with this cartridge sucks! I brought it to the local Linn Dealer to install on my LP-12 with Ittock tonearm. Nasty hum in the right channel. The dealer (top guy in the world for LP12 setup) wonders if the right channel ground is supposed to be grounded to the cart body? If so, it's incompatible with the Linn turntable. Or perhaps it's defective? Hard to test without another AT33PTG/II around to compare. Guess it serves me right for experimenting with an unknown cartridge with no US dealer or tech support...
Some of the AT carts have a little metal tab than can be removed that grounds the cartridge. I had to remove it on my 440 and 150. My AT MC cart does not have one.
Do you mean you've tested it and that's what the chart shows? That would be puzzling because I've tested two or three of these carts and they always come out the same:
It always comes down to money in the end. I'm afraid I don't know much about the 150MLX, other than it's reputation for being a tad bright in certain systems. Is it an MM? I would say the way an MC treats the higher frequencies with such clean delicacy might help with reducing surface noise, even if it's just an impression. Other than that, and has already been mentioned, it's also down to stylus shape, different cart specs, and I found correct loading made a big difference, especially if your using step up transformers with an MC. Incorrect loading produced greater contrast in the frequencies and the inevitable resultant ticks/pops.
Does anyone know if the AT33PTG/II has a removable tab that may improve the right channel ground hum?
It is easy to spot—gold external tab that goes over the green pin and slips into the side of the cartridge body. You can pry it right out, then slip it back on. Engineered to be reversible.
Thanks! My turntable is at the dealer, so I'll ask them to check for that tomorrow. I really hope the problem can be solved. At least the left channel sounded great...
This is the only cart that can track the original pressings of Rush - Grace Under Pressure. All the others I've heard choke on the last track of each side.