Favorite Movies of the 1950s?

Discussion in 'Visual Arts' started by MortSahlFan, Sep 1, 2018.

Thread Status:
Not open for further replies.
  1. MortSahlFan

    MortSahlFan Forum Resident Thread Starter

    Location:
    US
    I'll put my Top 5, and if the thread picks up, I'll add the next 5.

    1. La Strada
    2. The Seventh Seal
    3. Ace in the Hole
    4. Wild Strawberries
    5. A Face in the Crowd
     
  2. zen archer

    zen archer Forum Resident

    Location:
    Boston Ma.usa
    Sunset Boulevard (1950)
    In A Lonely Place (1950)
    The Big Heat (1953)
    Kiss Me Deadly (1955)
    Some Like It Hot (1959)
    North By Northwest (1959)
     
    Ere, alexpop, ando here and 1 other person like this.
  3. ando here

    ando here Forum Resident

    Location:
    North Pole
    The 50s - and this is just off the top to keep the thread going - had filmmakers with great style. Not that there wasn't substance but if you consider that it covered the end of the post-war era in film and really captured the material excess and corruption of the triumphant values of capitalism it was almost to be expected. Look at the trajectory of the film industry in Italy, for instance. Fellini made movies about traveling poor players (La Strada) in the first half of the decade and by the time the 60s rolled in he was filming the good life (La Dolce Vita). Indian director, Satyajit Ray, took his Apu Triliogy of films from the poverty of Panther Panchali to the material mindset of The World if Apu. Here in America the cutting edge New York films like Side Street that featured everyday guys trying to get ahead evolved to the deep corruption of the street in films like Sweet Smell of Success. I suppose money; the lack of it and the pursuit of it dominated films from this period unlike any other except the 80s.

    That said, my quick top ten would be -

    All About Eve
    Side Street
    Seven Samurai
    The Killing
    Apu Trilogy
    La Strada
    Streetcar Named Desire
    Ugetsu
    Sweet Smell of Success
    Floating Weeds

    Kenji Mizoguchi's three films in succession, Life of Oharu (1952), Ugetsu (1953) and Sancho The Baliff (1954), in my eyes, was only equalled in excellence by Ray's Apu Trilogy, though John Ford and Sam Fuller's 50s films were fairly impressive too.
     
    Last edited: Sep 1, 2018
  4. john hp

    john hp Forum Resident

    Location:
    Warwickshire, UK
    All about Eve
    Sunset Blvd.
    In a Lonely Place
    Wages of Fear
    The Big Heat
    M. Hulot's Holiday
    Les Diaboliques
    Rear Window
    La Strada
    The Night of the Hunter
    The Searchers
    All That Heaven Allows
    Invasion of the Body Snatchers
    The Night of Cabiria
    Paths of Glory
    Sweet Smell of Success
    Touch of Evil
    Vertigo
    Mon Oncle
    North by Northwest
    Some Like It Hot
    Eyes Without a Face
    A Bout de Souffle

    + probably some that I've missed.
     
  5. Daniel Plainview

    Daniel Plainview God's Lonely Man

    Vertigo
    Rear Window
    North by Northwest
    Streetcar Named Desire
    On The Waterfront
    Touch of Evil
    The Man Who Knew Too Much
    Diabolique
     
  6. ando here

    ando here Forum Resident

    Location:
    North Pole
    Can't forget Hitchcock - though I like his 60s stuff better.
     
  7. Witchy Woman

    Witchy Woman Forum Resident

    Location:
    Third Coast, USA
    A Streetcar Named Desire
    A Touch of Evil
    Les Diaboliques
    Rear Window
    Cat on a Hot Tin Roof
    The Thing from Another World

    There are a number of horror movies from the 50s I really like, some of them a bit on the cheesy side but nevertheless, like House of Wax.
     
  8. MortSahlFan

    MortSahlFan Forum Resident Thread Starter

    Location:
    US
    I was talking about decades a few weeks ago... The 1930s seemed like a decade of resurgence - populism, especially in the US. The 1940s were the heroic years, a ton of war movies. There's actually a great line in the movie "Crossfire" about prejudice, paraphrasing "We've been fighting for so long, now that the war (WWII) is over, we have no one to fight but ourselves", and the 50s had the comfortable suburban life and the materialism seemed to be a by-product, which also incubated a decade of rebellion. I'm glad you also mentioned "La Dolce Vita" which represented decadence. The Italian neo-realist movement was ending, and now the same characters were no longer depressed about being hungry or in war, but because after they achieved "success" they were empty, with the feeling of "What now?".. I think the 70s had their own "neo-realism" captured by a ton of gritty, realistic pictures, especially demonstrated by John Cassavetes. Or the kinda forgotten John Huston picture, "Fat City" - a great writer turned director (ala Richard Brooks) who made a great movie every decade, which you can't say about many.
     
    ando here likes this.
  9. entropyfan

    entropyfan Forum Resident

    Night of the Hunter
    Touch of Evil
    Wages of Fear
    The Horse's Mouth
    Seven Samurai
    Bad Day at Black Rock
    On the Waterfront
    The Big Heat
    All About Eve
    No Down Payment
    The Big Combo
    Wild Strawberries
    Ace in the Hole
    The 400 Blows
    From Here to Eternity
    Rio Bravo
    The Mouse that Roared
    Strangers on a Train
    Vertigo
    In a Lonely Place
     
  10. skisdlimit

    skisdlimit Forum Resident

    Location:
    Bellevue, WA
    Five favorites alphabetically listed (with brief commentary):

    1. Auntie Mame (pretty cutting edge for its time, though the second half pales in comparison to the first, probably due to the Hays code still being in place)
    2. The 400 Blows (one of the early "new wave" films, which anticipates the 60's yet doesn't feel out of place in the 50's)
    3. The Night of the Hunter (a shame Charles Laughton never directed another film, but I can understand his not wanting to go through the hassle of it)
    4. Rear Window (very tough to pick just one Hitchcock flick, as I could easily give him all five spots, but this ranks highest on re-watchability for me)
    5. Some Like It Hot (I'd say Tony Curtis is the weak link here, but the pace is fast enough that it doesn't really matter, and Jack Lemmon is just a hoot!)

    I could easily list another five, but will follow the OP's lead in waiting to see whether this thread picks up steam. Personally, I think it should. :)
     
    Last edited: Sep 1, 2018
  11. MortSahlFan

    MortSahlFan Forum Resident Thread Starter

    Location:
    US
    #6-10
    On The Waterfront
    12 angry men
    Umberto D
    Sunset Boulevard
    All About Eve
     
    PonceDeLeroy likes this.
  12. audiomixer

    audiomixer As Bald As The Beatles

    "Sudden Fear"
     
  13. entropyfan

    entropyfan Forum Resident

    Maybe he thought, "I am a first-time director and just made the greatest film ever. Time to quit".
     
    skisdlimit likes this.
  14. Monosterio

    Monosterio Forum Resident

    Location:
    South Florida
    The best decade for foreign (non-English language) films, IMO...

    Seven Samurai
    The Seventh Seal
    Sunset Boulevard
    Some Like It Hot
    North by Northwest
    Diabolique
    The African Queen
    The Night of the Hunter
    Strangers on a Train
    From Here to Eternity
    The Wages of Fear
    The Apu Trilogy
    Sweet Smell of Success
    Nights of Cabiria
    Umberto D.
    Los Olvidados
    Smiles of a Summer Night
    The Earrings of Madame de...
    Forbidden Games
    I Vitelloni
     
    Rhapsody In Red likes this.
  15. ralphb

    ralphb "First they came for..."

    Location:
    Brooklyn, New York
    Lots of great stuff listed here so I'll just add this one from 1952, one of the best noirs ever made:
    [​IMG]
     
    Jazzmonkie likes this.
  16. spherical

    spherical Forum Resident

    Location:
    America
    No one's mentioned "Decision Before Dawn" yet. One of the best WW II movies ever. 1951
     
    ando here likes this.
  17. ando here

    ando here Forum Resident

    Location:
    North Pole
    I see your point about "What Now?" with regard to the bourgeoisie in Italy but directors like Olmi and later, Pasolini, showed that things had not improved for a significant portion of the population. In fact, Pasolini would continue to criticize the seeming aimlessness and depravity of the moneyed classes in Italy.
     
    MortSahlFan likes this.
  18. Bingo Bongo

    Bingo Bongo Music gives me Eargasms

    Location:
    Ottawa, Canada
    They made movies in the 50's?????
     
    dmiller458 likes this.
  19. ando here

    ando here Forum Resident

    Location:
    North Pole
    Oh man, some of the best WWII movies were made in this decade. Some of my faves:

    Decision Before Dawn ('51)
    Fron Here To Eternity ('53)
    Stalag 17 ('53)
    Fires On The Plain ('59)
    A Man Escaped ('56)
    The Cain Mutiny ('54)
    Kanal ('57)
    The Cranes Are Flying ('57)
    Odette ('50)
    U-Boat 39 ('52)
    Mister Roberts ('55)
    The Bridge ('59)
    Hiroshima, My Love ('59)
    South Pacific ('58)
    Dunkirk ('58)


    There's a fine film about a German man during the war who grows estranged from his Nazi son. I believe the film is titled, Regeneration, made during this period but I can't find any info on it! Some great set pieces in it, though; including a sequence where Berliners hiding underground are drowned as a result of a decision made by authorities who took over the city.
     
    Last edited: Sep 1, 2018
    EdgardV and MortSahlFan like this.
  20. samthesham

    samthesham Forum Resident

    Location:
    Moorhead MN
    1.Thunder Road
    2.Night Of The Hunter
    3.Les Diaboliques
    4.On The Waterfront
    5.The Girl Can't Help It

    Honorable mention:Forbidden Planet
     
    MortSahlFan likes this.
  21. Mister Charlie

    Mister Charlie "Music Is The Doctor Of My Soul " - Doobie Bros.

    Location:
    Aromas, CA USA
    John Wayne and Maureen O'Hara in The Quiet Man (1952)

    also We're No Angels - Bogart (1955)
     
    PonceDeLeroy and MortSahlFan like this.
  22. MortSahlFan

    MortSahlFan Forum Resident Thread Starter

    Location:
    US
    After a war, I'd imagine things getting better automatically, regardless of country/system and a hope that past struggles would bring about better days. It is hard to distinguish progress; if it's organic, happenstance, or because the many tides of interests going against each other bring a certain compromised outcome. Sometimes information changes and perception changes along with it, despite the real outcomes.

    I remember Pasolini criticizing the protestors because they had "faces of rich daddies", maybe trying to say they could never understand their plight, but I think it's a broad brush. In the same sentence during an interview, he says "Although the police is an arm of authority" they had the faces from sons of the working-class. Many Italian directors with left-of-center leanings were "sons of rich daddies" - Visconti, etc... Pasolini might be an exception, but it seems the family was intellectually rich, his mother being a teacher. Unfortunately, almost all of his (Pasolini) interviews are only in Italian, and I only know a little. His first 2 movies were great, but I haven't been able to finish any other of his movies, so I move right along to something else.

    As for Olmi, I see I've looked at "The Tree of Wooden Clogs" - will keep my eye out. Thanks!
     
    ando here likes this.
  23. ando here

    ando here Forum Resident

    Location:
    North Pole
    Oh well, progress and the human being... if you don't mind let's not even go there. ;)

    The thing I love about Olmi's material is that he uses ordinary people from the Italian countryside to show the many facets of humanity. Check out his 1958 first feature, Time Stood Still, when you get a chance.
     
    MortSahlFan likes this.
  24. ando here

    ando here Forum Resident

    Location:
    North Pole
    [​IMG]
    Kirk Douglass as McCloud in Detective Story ('51)
    A prototypical crime procedural flick, it formed one of the most characteristic movie tropes of the decade. There were so many that by the 60s it was easy to parody. Certainly television took several turns at it. One of the worse aspects of this type of film were the soundtrack scores; brassy and alarmist, with dreadful monotone narration introducing, bookending and/or commenting on the action. The best apects are the snappy dialogue, realistic situations with edgy tones and quick pace. My favorite of the period, as I mentioned, is Kubrick's The Killing ('56) - a perfect send-up of the crime procedural with Stanley's humorous stylistic touches.
    [​IMG]
     
    Last edited: Sep 1, 2018
    MortSahlFan likes this.
  25. 1. Vertigo
    2. Ace in the Hole
    3. Rear Window
    4. Sunset Blvd.
    5. Horror of Dracula
    6. Curse of the Demon (Night of the Demon)
    7. The Killing
    8. The Bicycle Thieves
    9. Night of the Hunter
    10.Les Diaboliques
    11 .On The Waterfront
    12. Some Like It Hot
    13. Strangers On A Train
    14. The Naked Spur
    15. Winchester 73
    16. The Day The Earth Stood Still
    17. The Thing (From Another World)
    18. Touch of Evil
    19. Run Silent Run Deep
    20. Singing In The Rain
    21. An American in Paris
    22. A Hatful of Rain
    23. War of the Worlds
    24. Othello
    25. Mr. Arkadin
    26. North By Northwest
    27. The Searchers
    28. Giant
    29. Rebel Without A Cause
    30. East of Eden
    31. Imitation of Life
    32. Harvey
    33. Them!
    34. The Third Man
    35. A Street Car Named Desire
    36. Creature From The Black Lagoon
    37. The Incredible Shrinking Man
    38. Forbidden Planet
    39. Anatomy of A Murder
    40. Ben Hur
    41. Oklahoma
    42. 12 Angry Men
    43. Marty
    44. From Here to Eternity
    45. Wild Strawberries
    46. The Seventh Seal
    47. Smiles of A Summer Night
    48. Revenge of Frankenstein
    49. The Hound of the Baskervilles
    50. The Mummy
    51. The Man Who Knew Too Much
    52. The Mummy
    53. The Wrong Man
    54. Dial M For Murder
    55. The Wages of Fear
    56. Narrow Margin
    57. Harvey
    58.
    59.
    60. three spots for great movies I overlooked.
     
    alexpop, MortSahlFan and PonceDeLeroy like this.
Thread Status:
Not open for further replies.

Share This Page

molar-endocrine