Personally I like the 1975 tour better. They were playing too many songs from the weak Black And Blue in 1976.
Fair, but maybe it's just me - I have very few live performances from that album in my collection so I'd welcome a release from 76
I would still buy it but I don't care as much to hear stuff like Hot Stuff, Fool To Cry and Cherry Oh Baby for example. Hand of Fate and Hey Negrita are pretty good live.
Obviously I have no problem with the Black and Blue songs they played in '76 ("Fool To Cry" excepted, of course), it's just that, for me, as sloppy as they sounded in 1975 they sounded that much worse in '76, which is why I don't find myself returning to those shows very often. Knebworth is my favourite 1976 show almost by default, based on the setlist.
Except, oddly enough, not "Crazy Mama," which seems like it should've been the easiest no-brainer to play live. So strange.
A vault release that was a compilation of all these rarely played songs and covers from 1989-present would be an instant buy for me. No one needs more late period versions of "Jumping Jack Flash," but there's still a number of songs they played on those tours that never made official releases.
I'm sure you all know about this, but I just learned about the 1981 concert with Mick Taylor playing 2/3 of the show. Do you think they would ever release this? Surely they have the multitracks from the concert.
@John Fell might have a better answer, but from my knowledge, Keith, Woody, Bill and Ian McLagan were not happy with MT's performance, saying that he overplayed and was too loud.
There's a board tape of the Kansas City show that circulated a few years ago. I haven't listened to it in ages but Taylor's guitar is barely audible on the board tape. Apparently he was plugged into an amp onstage that wasn't properly mic'd thru the PA but it was overpoweringly loud onstage and it really peeved Keef. There's a brief story about this in Ronnie's autobio. There's also a decent audience tape of this show out there. As I recall (haven't listened to it in years), Taylor's guitar is more present on this audience tape than the board tape but it's still not very loud or clear.
If it wasn't mic'd up through the board, the only sound would be leakage onto other mics, hence why it's so faint on the SBD.