Jethro Tull's "This Was" on CD

Discussion in 'Music Corner' started by Rne, Feb 2, 2015.

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  1. street legal

    street legal Senior Member

    Location:
    west milford, nj
  2. FVDnz

    FVDnz Forum Resident

    Those two bonus tracks 'Sunshine Day' and 'One for John Gee,' I'm under the assumption that the multitrack tapes for both those tracks haven't been located hence the remastered in mono format? Peter Mew did a fine job with the remixing. Wonder if IA will get SW to deliver a quadraphonic mix in the future? 50th Anniversary maybe?! It's only 3 years away. May as well do the same for Stand Up for the following year too. And who knows by then the missing tapes for The Witches Promise will be found thus a double dip for Benefit's 50th Anniversary lol! Nah, just add it to Stand Up (or a potential future Living in the Past remix) and be done with it. Okay, I'm done dreaming! ;)
     
  3. TheDailyBuzzherd

    TheDailyBuzzherd Forum Resident

    Location:
    Northeast USA
    Tull is a real head-scratcher. There's two camps:
    Those who prefer the earlier bluesy Tull divided
    by those who prefer the folkier sound. Oddly, the
    Americans prefer the latter. Should be The Brits
    who prefer it, but what do I know.

    Me? I prefer the original band, period. Sure, the
    blues rock format by '68 was overpopulated, but
    no other band had such a sound as Tull ... until
    Blodwyn Pig burst out of the Tull stye the year
    following this release. I love the jazz inflections
    which were new at that time, being propagated
    to fuller effect in bands such as Chicago and
    Blood,
    Sweat and Tears. Tull in this form was
    more like The Guess Who, which used jazz
    timing and instrumentation much in the way
    Brian Jones and George Harrison colored
    their band's tunes.


    Most people prefer Martin Barre as Tull's main
    guitar guy, I do not, because his sound tends to
    be tinnier than Abrahams' tone. In short, Mick
    gave Tull's sound balls. He simply wasn't around
    long enough to get the attention he deserves. Note
    the near failure of Blodwyn Pig, yet those albums
    pack more punch than most of Tull's entire output.
    It's a question of taste. I like some of Tull's later
    work, but if I'm gonna listen to Brit folk I'd sooner
    pull out Fairport or Pentangle.
     
    zongo, tootull and GerryO like this.
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