Keith Jarrett Trio - Standards Live ECM (1986) PROZ-1105 Tower Records Japan SHM-SACD Series Piano – Keith Jarrett Bass – Gary Peacock Drums – Jack DeJohnette
Bohemia After Dark - Various Artists (Savoy Jazz) CD This CD issue credits Cannonball as the main man. The original LP release had Kenny Clarke top billing.
I really like the opening paragraph of the liner notes on this record by Dom Cerulli. "John Coltrane is a quiet, powerfully-built young man who plays tenor saxophone quite unlike anyone in all of jazz. His style has been described as "sheets of sound” or as “flurries of melody.” But, despite the accuracy, or lack of accuracy of such descriptions, it is a fact that Coltrane’s style is wholly original and of growing influence among new tenor players ."
This Herbie Nicols album and Mr Nichols himself is new to me but I am already giving it classic status.
Probably the most underrated and forgotten jazz pianist. Don't forget his classic Blue Note recordings, they're even better in my opinion: https://www.amazon.de/Complete-Blue...70262&sr=1-1&keywords=herbie+nichols+complete Herbie Nichols | Biography & History | AllMusic
THE COMPLETE VEE JAY LEE MORGAN-WAYNE SHORTER SESSIONS / MOSAIC / 2001 / 6CD BOX SET 1. THE YOUNG LIONS SESSION RECORDED AT BELL SOUND STUDIO B, NYC, APRIL 25, 1960 BY BILL STODDARD LEE MORGAN (TRUMPET); FRANK STROZIER (ALTO SAXOPHONE); WAYNE SHORTER (TENOR SAXOPHONE); BOBBY TIMMONS (PIANO); BOB CRANSHAW (BASS); LOUIS HAYES (DRUMS) 2. HERE'S LEE MORGAN SESSION RECORDED AT BELL SOUND STUDIO B, NYC, FEBRUARY 3 AND 8, 1960 BY BILL STODDARD LEE MORGAN (TRUMPET); CLIFFORD JORDAN (TENOR SAXOPHONE); WYNTON KELLY (PIANO); PAUL CHAMBERS (BASS); ART BLAKEY (DRUMS) 3. EXPOOBIDENT SESSION RECORDED AT UNIVERSAL RECORDING, CHICAGO, OCTOBER 14, 1960 BY BRUCE SWEDIEN LEE MORGAN (TRUMPET); CLIFFORD JORDAN (TENOR SAXOPHONE); EDDIE HIGGINS (PIANO); ART DAVIS (BASS); ART BLAKEY (DRUMS) 4. INTRODUCING WAYNE SHORTER SESSON RECORDED AT FINE SOUND, NYC, NOVEMBER 9 AND 10, 1959 LEE MORGAN (TRUMPET); WAYNE SHORTER (TENOR SAXOPHONE); WYNTON KELLY (PIANO); PAUL CHAMBERS (BASS); JIMMY COBB (DRUMS) 5. SECOND GENESIS SESSION RECORDED AT UNIVERSAL RECORDING, CHICAGO, OCTOBER 11, 1960 BY BRUCE SWEDIEN WAYNE SHORTER (TENOR SAXOPHONE); CEDAR WALTON (PIANO); BOB CRANSHAW (BASS); ART BLAKEY (DRUMS) 6. WAYNING MOMENTS SESSION RECORDED AT UNIVERSAL RECORDING, CHICAGO, NOVEMBER 2 AND 6, 1960 BY BRUCE SWEDIEN FREDDIE HUBBARD (TRUMPET); WAYNE SHORTER (TENOR SAXOPHONE), EDDIE HIGGINS (PIANO); JYMIE MERRITT (BASS); MARSHALL THOMPSON (DRUMS) ORIGINAL SESSIONS PRODUCED BY SID MCCOY. BOX SET PRODUCED BY MICHAEL CUSCUNA AND CHARLIE LOURIE. PHOTOGRAPHY BY CHUCK STEWART AND FRANCIS WOLFF. REMIXES, TAPE TRANSFERS AND MASTERING BY MALCOLM ADDEY AT MALCOLM ADDEY STUDIO, NYC.
Lorraine Gordon, the owner of the Village Vanguard jazz club in NYC, has died aged 95. As I said in the separate thread, jazz owes her a lot.
Discogs has already heard from me, not the complete but I have this one on order. I read his bio he should have been a star.
Freddie Hubbard - The Night of the Cookers, Volume 2 Blue Note (1966) TOCJ-4208 Trumpet – Freddie Hubbard Trumpet - Lee Morgan Alto Saxophone, Flute – James Spaulding Piano – Harold Mabern Bass – Larry Ridley Congas – Big Black Drums – Pete La Roca
Hank Mobley's "Soul Station". I could see why Miles thought he sort of was a half step behind him. But HM was dedicated to mid-tempo swinging. I guess you could call it a more thoughtful, almost reflective, approach to music relative to a lot of the other stuff happening in jazz in the 60's. But he cultivated those grooves very well.
I like this one but always get bored about halfway in. So I often listen to the first half, or the second half.
(CD Dootone Boplicity Records UK Press CDBOP 007) 1996 .... recorded April 1958 @ Los Angeles, California .... Harold Land (ts) + Rolf Ericson (tp) + Elmo Hope (p) + Curtis Counce (b) + Frank Butler (dr) .... Curtis Counce recorded a bunch of terrific dates as leader and this one really shines (Harold Land !!) ....
Richie Kamuca Quartet | 4 - Richie Kamuca Quartet (V.S.O.P. / Mode) CD with Richie Kamuca (tenor sax), Carl Perkins (piano), Leroy Vinnegar (bass), Stan Levey (drums) Recorded 1957 This is a very enjoyable album. I ordered it online with a few other V.S.O.P. titles last week. This was the first title to arrive and to my great disappointment it was secretly issued CD-R, complete with original CD packaging. Unfortunately I will take no pleasure in adding V.S.O.P albums to an ever lengthening (CD-R) label boycott list
I just bought the AP pressings of Art Pepper on The Legend Series, The Intimate Art Pepper, The New York album and the other one, of which I don't remember the title and am really looking forward to hearing them. I'm just getting to know jazz and Art Pepper's music is the kind that strikes me as some of the most enjoyable. I only have tow other albums of his on Original Jazz Classics and, oh boy, are they ever good. Adventurous, tuneful and just plain fun. The man knew how to swing.
Ike Quebec — It Might as Well Be Spring Donald Byrd— Black Byrd Rahsaan Roland Kirk — Rip, Rig and Panic
Bobby Hutcherson: Dialogue Bobby Hutcherson – vibraphone (all), marimba (3,4,6). Sam Rivers – tenor saxophone (1,6) soprano saxophone (5), bass clarinet (4), flute (2,3) Freddie Hubbard – trumpet Andrew Hill – piano Richard Davis – double bass Joe Chambers – drums Recorded at Rudy's on April 3, 1965. For those who long for more Blue Note Sam Rivers? The lost (read: unrecognized) Andrew Hill Album? A Bobby Hutcherson album? A Freddie Hubbard album? A Joe Chambers album? A masterpiece? All of the above. Roster does not a masterpiece make but in this case (IMO) it does. As to Andrew Hill? Four of the six compositions are his. The other two are from the sticks of Joe Chambers. Slot this in with those stunning statements from Jackie McLean, Grachan Moncur, Eric Dolphy, Don Cherry et al during this period. In fact, the only thing that may make this even better would be the burnished 'bone of Moncur, he'd fit right in. No matter, in this case roster does make the masterpiece. This "Heavenly Sweetness" pressing is not so heavenly. Oh Music Matters, why oh why only one Hutch reissue????? Top notch Jazz Sweater.
Herbie Mann - Just Wailin' Prestige/New Jazz 1958 New Jazz Chronicle Series SHM-CD Flute – Herbie Mann Guitar – Kenny Burrell Piano – Mal Waldron Tenor Saxophone – Charlie Rouse Bass – George Joyner Drums – Arthur Taylor
HOWARD RUMSEY'S LIGHTHOUSE ALL STARS / VOL. 6 / CONTEMPORARY / 1955 / ORIGINAL MONO DEEP GROOVE C3504 LP CONTE CANDOLI (TRUMPET); BOB COOPER (TENOR SAXOPHONE); BUD SHANK (ALTO SAXOPHONE, FLUTE); FRANK ROSOLINO (TROMBONE); STU WILLIAMSON (VALVE TROMBONE); CLAUDE WILLIAMSON (PIANO); HOWARD RUMSEY (BASS); STAN LEVEY (DRUMS) PRODUCED BY LESTER KOENIG. RECORDED IN HOLLYWOOD, DECEMBER 3, 1954 (#A1, A3, B1), FEBRUARY 22, 1955 (#A5, B4), MARCH 1, 1955 (#A2, A4, B2, B3) BY JOHN PALLADINO. PHOTOGRAPHY BY WILLIAM CLAXTON. LINER NOTES BY HOWARD RUMSEY AND LESTER KOENIG.
Sonny Clark Trio - Sonny Clark Trio (Time) SHM-CD with Sonny Clark (piano), George Duvivier (bass), Max Roach (drums) According to the sleeve these sides were recorded January, 1959 Great sound on the SHM-CD, mastered by Bernie Grundman.
The track listing on your CD looked familiar so I checked and sure enough many of the tracks listed are included on the recent Tomkins Square reissue of the Sonny Clark Trio - The 1960 Time Sessions which was recorded January 5 and 6, 1960. As a matter of fact your CD label has the original Time Records logo so I think were speaking of one in the same.
