She was broadcast on nationwide (Canadian) television singing it in 1966 and even if she liked Tom Rush, I'm sure she thought, like me, she did it better
Two recent ones I've heard: Erroll Garner - Autumn Leaves (from Concert by the Sea) John Moreland - Losing Sleep Tonight
From the 1960's - Scarborough Fair by Simon & Garfunkel From the 1970's - 10cc's I'm Not In Love from the 1980's - In Your Eyes by Peter Gabriel From this century, Beck's Heart Is A Drum.
Of the contenders in my collection, this is the one I've played most over the last year. I also forgot it in my first post. Ever neglected even by her fans it seems.
I don't know why but the slight song 'Here She Comes Now' by The Velvet Underground is an object of simple floating beauty and intrigue to me. As much a question as a song. An earlier demo also has a similar spirit to the studio version.
There's a question that's impossible to answer definitively. Like my love of the Beatles, in which my 'favorite' changes according to mood and circumstance, beautiful songs power to pull is almost always found in the context of the time and place one hears them. That said, here's a recent find that wistfully captivates me on every hearing.
John & Beverley Martyn - "Would You believe Me?" Written by a 20 year old John Martyn for his girlfriend of the previous 4 years, when he began a new relationship with Beverley. The beauty and poignancy of the lyrics are incredible, especially from one so young. "Would you believe me if I told you For four long years you kept the wolf from my door For four long years you kept my feet upon the floor And now you’re crying Would you believe me if I told you That my mind had changed me That I rearranged me And now you’re crying. And it’s a long, long way It’s such a long, long way So many turnings, so many turnings. Would you believe me if I told you That I’m sorry for the logic in the lies That I’ve found by complete surprise The truth Would you believe me if I told you That I didn’t want to lose you That’s why I had to bruise you So sad. And it’s a long, long way It’s such a long, long way So many turnings, so many turnings. Would you believe me if I told you When I said that I could marry you I surely didn’t mean to carry you To here Would you believe me if I told you That at twenty years young and all You simply have got no control Of the time. And it’s a long, long way Such a long, long way So many turnings, so many turnings. Would you believe me if I told you For four long years you kept the wolf from my door For four long years you kept my feet upon the floor And now you’re crying."
Not the best video quality, but I have always gotten chills when I listen to the IUP Marching Band's arrangement of "Amazing Grace."