track 2) With Tomorrow I won't get tedious by saying how much I love every track...use this comment as a template for every subsequent: I love this track! It was more like a dream than reality I must have thought it was a dream while she was here with me When she was near I didn't think she would leave When she was gone it was too much to believe So with tomorrow I will borrow Another moment of joy and sorrow And another dream and another with tomorrow So if there some day won't be time just to look behind There won't be reasons, no descriptions for my place and mind There was so much I was told that was not real So many things that I could not taste but I could feel So with tomorrow I will borrow Another moment of joy and sorrow And another dream and another with tomorrow Source: LyricFind Songwriters: Jesse Davis / Harold Clark With Tomorrow lyrics © Warner Chappell Music, Inc, Universal Music Publishing Group, BMG Rights Management
track 3) White Light Ok, I know, I know. Damn I love this country rockin' track. Gene's harp playing so fine. Oh, the village of the hill Sitting silently at will Like some prophecy forgotten by an age With no guns before its gate The mysterious estate Lies waiting for its history's dawning page With the raging of the sea before its height And the strength of those whom see beyond their sight Oh, the smithies anvil rings And the symphony it sings No voice nor poet's pen can put to tune And electric lines of force Ring around the humble lives Of the souls that hear the master saying soon With the clouds that gather near disturb the night Striking flashes of a difference, fleeing fright No slight of tongue nor hand Can so boldly there withstand When the spirit of it's truth shall speak the time And no ignorance of life Can be held within the sight Of the buttresses of ageless binds of time The communion of the forces take delight With the fear that no tongues may read nor write White Light Oh the village of the hill Sitting silently still With the strength of ages past they're still at hand Reckons not to look behind But to look within and find And to hear of those enlightened by the lamb With the powers of the wind both fierce and light And the waters of the storm went through the night Source: LyricFind Songwriters: Gene Clark White Light lyrics © Universal Music Publishing Group, BMG Rights Management
track 4) Because Of You Ditto. You toss your head and turn your eyes when storm clouds brew You look around to quick relate to a good time you knew Then the dark clouds break away and a rainbow comes on through The sun I see only shines for me because of you Before this time we both saw blind in spite of fact We lost our place and made no haste to make contact Now by what we gain the taste of one and two I'm satisfied beneath my pride because of you And now the worth of living wealth is more in the end And now the price of simple things is not so much to spend So close your eyes and pick a place to fly away And think of reasons why this warmth is here to stay Then the dark clouds break away and a rainbow comes on through The sun I see only shines for me because of you Yes, the sun I see only shines for me because of you Source: LyricFind Songwriters: Gene Clark Because of You lyrics © Universal Music Publishing Group, BMG Rights Management, Sony/ATV Music Publishing LLC
track 5) One In A Hundred Don't you come down Don't you feel bad Even though your dreams are of The things you've never had Close to the earth Near to the sun Reflecting your own life You can see that you Can be more than one Hear the bells ring, morning has come Over the town the morning star fades in the dawn Voices of time bringing surprise Voices that sing in waking moments To look into life's eye Aren't you glad it's another day Look and tell So you though you would run away But you know that way too well Rhythms of rhyme Seasons shall say To look at a longer life now A longer yesterday Don't you come down You know you're the one Looking at tomorrow Let your your troubles Fade and fly into the sun Source: LyricFind Songwriters: Gene Clark One in a Hundred lyrics © Universal Music Publishing Group, BMG Rights Management
track 6) For A Spanish Guitar A song Dylan said he wished he had written. Sublime. The dissonant bells of the sea Who are ringing the rhymes of the deep As they sing of the ages asleep Not so near or so far And the old masters wind of the waves Sped forth for the free men and slaves Whispers of secrets it saves And about whom they are And the workings of sunshine and rain And the visions they paint that remain Pulsate from my soul through my brain In a Spanish guitar The beggar whom sits in the street On his miserable throne of defeat Envisions no wealth there to meet Thinking nowhere is far And the laughter of children employed By the fantasies not yet destroyed By the dogmas of those they avoid Knowing not what they are And the right and the wrong and insane And the answers they cannot explain Pulsate from my soul through my brain In a Spanish guitar To play on a Spanish guitar With the sun shining down where you are Skipping and singing a bar From the music around Just to laugh through the columns of trees To soar like a seagull in breeze To stand in the rain if you please Or to never be found Source: LyricFind Songwriters: Gene Clark Spanish Guitar lyrics © Universal Music Publishing Group, BMG Rights Management
track 7) Where My Love Lies Asleep Yep. More wonderful harp. Where my love lies asleep There's no chains to her spirit As she enters the doorway Of dreams drifting free Lightning's flash, rivers roar Round the island she's sleeping And the echoes soul That speaks where she's sleeping Where my love lies asleep There's no past nor tomorrow Only treasures to keep There's no fears there to borrow Through the hallways of wonder Down the steps of the deep And the secrets that drum Where my love lies asleep Past the suns in the morning Past the stars in their sleep And the worlds that are near Where my love lies asleep Source: LyricFind Songwriters: Gene Clark Where My Love Lies Asleep lyrics © Universal Music Publishing Group, BMG Rights Management
track 8) Tears Of Rage Great cover. We carried you in our arms On Independence Day, And now you'd throw us all aside And put us on our way. Oh what dear daughter 'neath the sun Would treat a father so, To wait upon him hand and foot And always tell him, "No"? Tears of rage, tears of grief, Why must I always be the thief? Come to me now, you know We're so alone And life is brief. We pointed out the way to go And scratched your name in sand, Though you just thought it was nothing more Than a place for you to stand. Now, I want you to know that while we watched, You discover there was no one true. Most ev'rybody really thought It was a childish thing to do. Tears of rage, tears of grief, Must I always be the thief? Come to me now, you know We're so low And life is brief. It was all very painless When you went out to receive All that false instruction Which we never could believe. And now the heart is filled with gold As if it was a purse. But, oh, what kind of love is this Which goes from bad to worse? Tears of rage, tears of grief, Must I always be the thief? Come to me now, you know We're so low And life is brief. Source: LyricFind Songwriters: Richard Manuel / Bob Dylan Tears of Rage lyrics © Audiam, Inc
track 9) 1975 Great closer...I won't get into the reissues bonus tracks, but they are worth checking out. With all the legends that the century sings And it's vision bring to life While foreign waters breathe against the shore And the wind plays ore it's rusted fife I see the ships of a friendly fleet And a song so sweetly sounding And gentle souls who think not to defeat As across the waves they are bounding And then the thoughts of all the days this time They have been confined without reason And in the matters of their health and wealth They cannot be defined but as treason But go where and find the better life As in the name of love you have freed them And those you need not you have left behind And those you keep in mind you know to heed them Across the bridge, across the river Where we've never been before Within and out of worlds around us And in the light of finding more We always easy understood that It was no good not to explore But never really understood that It was no good just to ignore Source: LyricFind Songwriters: Harold Eugene Clark 1975 lyrics © Universal Music Publishing Group
White Light..listen again! A wonderful album to share....enjoy guys. I especially envy those who are hearing this for the first time. AllMusic Review by Thom Jurek Gene Clark's 1971 platter, with its stark black cover featuring his silhouette illuminated by the sun, was dubbed White Light -- though the words never appear on the cover -- and if ever a title fit a record, it's this one. Over its nine original tracks, it has established itself as one of the greatest singer/songwriter albums ever made. After leaving the Byrds in 1966, recording with the Gosdin Brothers, and breaking up the Dillard & Clark group that was a pioneering country-rock outfit, Clark took time to hone his songwriting to its barest essentials. The focus on these tracks is intense, they are taut and reflect his growing obsession with country music. Produced by the late guitarist Jesse Ed Davis (who also worked with Taj Mahal, Leon Russell, Link Wray, and poet John Trudell, among others), Clark took his songs to his new label with confidence and they supported him. The band is comprised of Flying Burrito Brothers' bassist Chris Ethridge, the then-Steve Miller Band-pianist (and future jazz great) Ben Sidran, organist Michael Utley, and drummer Gary Mallaber. Clark's writing, as evidenced on "The Virgin," the title cut, "For a Spanish Guitar," "One in a Hundred," and "With Tomorrow," reveals a stark kind of simplicity in his lines. Using melodies mutated out of country, and revealing that he was the original poet and architect of the Byrds' sound on White Light, Clark created a wide open set of tracks that are at once full of space, a rugged gentility, and are harrowingly intimate in places. His reading of Bob Dylan's "Tears of Rage," towards the end of the record rivals, if not eclipses, the Band's. Less wrecked and ravaged, Clark's song is more a bewildered tome of resignation to a present and future in the abyss. Now this is classic rock.
I think Gene hit his songwriting peak on White Light. Some really lovely and interesting music on White Light.
3) Roadmaster 3rd solo LP Roadmaster is a country rock album by Gene Clark released in 1973. The album was compiled from various unreleased recordings for A&M Records made in 1970 through 1972. Eight tracks yielded from an April 1972 recording session featuring Clarence White, Chris Ethridge, Spooner Oldham, Sneaky Pete Kleinow, Byron Berline and Michael Clarke;[2] two tracks ("One in A Hundred" and "She's the Kind of Girl") derived from an unissued single reassembling the five original Byrds prior to their 1973 reunion album; and the remaining track, "Here Tonight", had been recorded with The Flying Burrito Brothers.[2] Initially released in the Netherlands and Germany only on the A&M subsidiary Ariola, it was reissued on compact disc for the American market in 1994. -wiki The rather ugly Holland release... "She's the Kind of Girl" (Clark) – 2:59 "One in a Hundred" (Clark) – 2:45 "Here Tonight" (Clark) – 3:29 "Full Circle Song" (Clark) – 2:44 "In a Misty Morning" (Clark) – 4:56 "Rough and Rocky" (Lester Flatt, Earl Scruggs) – 3:14 "Roadmaster" (Freddy Weller, Spooner Oldham[3]) – 4:12 "I Really Don't Want to Know" (Howard Barnes, Don Robertson) – 4:35 "I Remember the Railroad" (Clark) – 2:31 "She Don't Care About Time" (Clark) – 3:37 "Shooting Star" (Clark) – 4:38 Personnel[edit] Tracks 1, 2: with The Byrds Gene Clark – vocals, acoustic guitar Chris Hillman – bass guitar, vocals David Crosby, Roger McGuinn – guitars, vocals Michael Clarke – drums Bud Shank – flute on "She's The Kind Of Girl" Track 3: with The Flying Burrito Brothers Gene Clark – vocals, acoustic guitar Chris Hillman – bass guitar, vocals Sneaky Pete Kleinow – pedal steel guitar Bernie Leadon, Rick Roberts – guitars, vocals Michael Clarke – drums Tracks 4-11: Gene Clark – vocals, acoustic guitar, piano Clarence White – electric guitar, backing vocals Sneaky Pete Kleinow – pedal steel guitar Spooner Oldham – keyboards, backing vocals Chris Ethridge – bass guitar Michael Clarke – drums Byron Berline – fiddle Roger McGuinn, Rick Clark - backing vocals presumably not included in the definitive album mix Production[edit] Producers: Jim Dickson (Tracks 1–3), Chris Hinshaw (Tracks 4–11) Recording Engineer: Chris Hinshaw Art Direction: n/a Photography: Henry Diltz Liner notes: Barry Ballard The wonderful reissue vinyl by Sundazed:
track 1) She's The Kind Of Girl (Clark) Have I said how much I love this one! She's the kind of girl Together like a lion The kind everybody wants to know She can fool you with her ways Leave you with nothing much to say And you try not to hang around But you really don't want to see her go away She's the kind of girl Mary golden time Sunshine and flowers in her hair Simple ways she don't complain She likes to move She won't explain And you wonder in the night If everything was right with you She might remain Doesn't everybody want to hear Doesn't everybody want to know What it is to be so near And watch it go She's the kind of girl Really has to see What it is that's on your mind She takes the time and understands She makes no judgments, no demands But she makes you feel the fool When you wonder how she slipped Right through your hands Source: LyricFind Songwriters: Gene Clark She's the Kind of Girl lyrics © Universal Music Publishing Group
track 2) One In A Hundred (Clark) Don't you come down Don't you feel bad Even though your dreams are of The things you've never had Close to the earth Near to the sun Reflecting your own life You can see that you Can be more than one Hear the bells ring, morning has come Over the town the morning star fades in the dawn Voices of time bringing surprise Voices that sing in waking moments To look into life's eye Aren't you glad it's another day Look and tell So you though you would run away But you know that way too well Rhythms of rhyme Seasons shall say To look at a longer life now A longer yesterday Don't you come down You know you're the one Looking at tomorrow Let your your troubles Fade and fly into the sun Source: LyricFind Songwriters: Gene Clark One in a Hundred lyrics © Universal Music Publishing Group, BMG Rights Management
track 3) Here Tonight (Clark) It's ten PM and I should have made the road tonight The moon was out and the clouds came in and took it's light My suitcase is over there somehow I just don't care Cause I don't want to be anywhere but right here tonight The rains came down and I should have made an early plane Where I'd rather be if it can't be seen then I can't explain It's so warm in here and I want to hold you near And there is no pain or fear right here tonight With tomorrows dawn I will carry on what I've set aside It's not a matter of my faith or of my pride It just seems so insane to strike out in the rain When it's so easy to remain right here tonight Source: LyricFind Songwriters: Gene Clark Here Tonight lyrics © Universal Music Publishing Group, BMG Rights Management
track 4) Full Circle Song (Clark) Funny how the circle turns around First your up and then your down again Though the circle takes what it may give Each time around it makes you live again Funny how the circle is a wheel And it can steal someone who is a friend Funny how the circle takes your flight And if it's it right it brings you back again Funny how the circle turns around You think your lost and then you're found again Though you always look for what you know Each time around it's something new again Source: LyricFind Songwriters: Gene Clark Full Circle Song lyrics © Universal Music Publishing Group, BMG Rights Management
track 5) In A Misty Morning (Clark) A true favorite by Gene. Wonderful backing instruments. I came into town on a Monday morning The tall buildings breaking up the city sky The streets were wet it had just been pouring Like the clouds above the storm just had to cry I trained my eye on a police cruiser I watched and I gulped as he passed me by I looked around to see the street lights changing And a voice down deep inside me asked me why Running through my thoughts Were the memories of the days that I had left behind Way down in my soul were the hope That better days were always there to find The fog rolled in and the lights grew dimmer And the sound of the city streets seemed amplified In the misty morning when it had just been pouring Like the clouds above the storm just had to cry Like the clouds above the storm just had to cry Source: LyricFind Songwriters: Gene Clark In a Misty Morning lyrics © Universal Music Publishing Group
track 6) Rough & Rocky (Flatt & Scruggs) Fantastic cover as always, by Gene. Darling I've come to tell you Though it really breaks my heart But before the morning dawn We'll be many miles apart Can't you hear the night birds crying Far across the raging sea Why of others you are thinking Won't you ever think of me Don't that road look rough and rocky Don't that sea look wide and deep Don't my baby look the sweetest When she's in my arms asleep Can't you hear... Source: Musixmatch
track 7) Roadmaster (Freddy Waller, Spooner Oldham) Love this so much. I´m a roadmaster baby and I spent my life on the road I´m a traveling musician and I`m carrying a pretty big load I´ve spend my days driving down the highway When the show is over I gotta do it my way So look out honey `cause a roadmaster´s on the road I met a pretty woman down in Nashville, Tennessee She said she´d blew the harp if I could blow a number and see The evening was nice, I knew her pretty well She said she´d like to stick around and talk for a spell But tomorrow I´ll be wakin´ and a roadmaster´s got to move on One evening at a truck stop when I was on the way to a gig somewhere Some slick-back truck drivers started givin´me some sh#t about my long hair I just smiled, I told them they were right And I snuck out the door like a thief in the night Got the four wheels a-turnin´, got the roadmaster back on the road I´m a fool for the highway, I never thought of settling down I like to play my music when there´s lots of pretty women around Never noticed any difference between a woman and a lady I love ém all from sixteen to eighty When the moon is shining and the roadmaster´s on the road I´m a roadmaster baby and I spent my life in the road I´m a traveling guitar picker and I feel I got a big load I´ve spend my days driving down the highway When the show is over I gotta do it my way So look out honey `cause a roadmaster´s on the road
track 8) I Really Don't Want To Know (Barnes & Robertson) How many arms have held you And hated to let you go How many, how many I wonder But I really don't want to know How many lips have kissed you And set your heart a-glow How many, how many I wonder But I really don't want to know So always make me wonder Always make me guess And be there if I ask you Darling don't confess Just let it remain your secret Cause darling I love you so How many, how many I wonder But I really don't want to know Source: LyricFind Songwriters: Howard Barnes / Don Robertson I Really Don't Want to Know lyrics © Warner Chappell Music, Inc, Sony/ATV Music Publishing LLC
track 9) I Remember The Railroad (Clark) Classic! I see the travelers comin' I watch them rollin' down the line I see the transits movin' I remember the railroad line. I see some smilin' faces Common place like they've peace of mind. So many different places I remember there's more than one kind. From a place that I can call my home Down the road that I must call my own I see no easy way (But) Today I've got to say I don't mind seeing what I'm being shown So I see the jet planes flying I watch them out of sight I keep on what I'm tryin' Hoping that time will treat me right I remember the railroad line. Source: LyricFind Songwriters: Gene Clark I Remember the Railroad lyrics © Universal Music Publishing Group
track 10) She Don't Care About Time This version rises to the level of best ever, even compared to the Byrds (originally the b-side to Turn Turn Turn), or any time, ever. Hallways and staircases everyday to climb To go up to my white walled room out on the end of time Where I can be with my love for she is all that is mine And she'll always be there, my love don't care about time I laugh with her, cry with her, hold her close she is mine The way she tells me of her love and never is she trying She don't have to be assured of many good things to find And she'll always be there, my love don't care about time Her eyes are dark and deep with love, her hair hangs long and fine She walks with ease and all she sees is never wrong or right And with her arms around me tight I see her all in my mind And she'll always be there my love don't care about time Source: LyricFind Songwriters: Gene Clark She Don't Care About Time lyrics © BMG Rights Management
track 11) Shooting Star (Clark) You were born into the storm Cast adrift upon a wave To be living and make life begin Like the ancient mystic ship Bounding seaward toward the sun Becomes a cosmic dancer in the wind Stars that shine and rains that swirls Sparkling sands of endless worlds Driven by the thought that men are free Love that makes and breaks a man Memories fade and new ones stand And another ship bounds through the sea Like in dreams sometimes it's so confusing to change When you move from where you have been To where you have come Like in life when you look in to a child's eyes They see it's all very clear It's near and then gone Before the rising of the sun Before the whirling winds were stirred Before the simple rhymes of men were sung Before the age of hate and pride Before we laughed, before we cried We were all contained and then begun Source: LyricFind Songwriters: Gene Clark Shooting Star lyrics © Universal Music Publishing Group
AllMusic Review by Matthew Greenwald [-] Gene Clark, record business equals bad news. Case in point, this album. Or masterpiece, you could say. After two brilliant Dillard & Clark albums, A&M signed Clark to a solo deal. Okay, fair enough -- so far. In 1972, he delivered perhaps the finest album of his career, Gene Clark, (also known as White Light). Excellent reviews in all the top magazines, including Rolling Stone. Guess what? Almost zero sales. Now, here's the follow up, almost -- if not more -- brilliant. Released only in Holland. Aside from containing some of Clark's finest tracks like "In a Misty Morning" and "Full Circle Song," this record contains two gems recorded with the willing participation of the other original Byrds. "One in a Hundred" and "She's the Kind of Girl" are so good that they would have easily stood out on The Byrds box set, had McGuinn elected to include them. Oh well, the music is still here -- an example of an artist who couldn't quite get in on with commerce. What a disaster. The man should be mentioned in the same breath as Neil Young. Roadmaster is one of the many reasons why. Enjoy!