The Beatles - Sgt. Pepper's 50th Anniversary (Content, Sound Quality & Discussion Thread Only!)

Discussion in 'Music Corner' started by hodgo, Apr 5, 2017.

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  1. MicJames

    MicJames Forum Resident

    Location:
    Seattle
  2. stevemoss

    stevemoss Forum Resident

    And here's those 2 overlaid, and roughly level-matched. You can see where the peak limiting was applied, but's not hugely different.

    [​IMG]
     
  3. stevemoss

    stevemoss Forum Resident

    Two quotes from Giles Martin that may lend additional context to things (click either quote number if you'd like to read the full article):

    1 - “There are different rules that happen in sound when you go from mono to stereo. There’s an intensity to just one block of sound hitting you in the face that you can’t get with stereo.”

    2 - “You’re hearing the four tracks without any effects, any equalisation on it. What I wanted to do is let people hear what I hear, as opposed to what I think you should hear, and that was tough thing. At times I had to straitjacket my hands and arms not to change it, but there’s a beauty in the rawness of certain things.”

    My gut is that additional compression was added in the mix to more closely approximate the mono's "intensity to one block of sound hitting you in the face", but the second quote really leads me to believe we're mostly just hearing the tapes and how they were recorded in 1967.
     
  4. Octavian

    Octavian Forum Resident

    Location:
    Louisiana
    Thank you very much for that. It shows some slight lost fidelity during the loud parts, but nothing extremely drastic.
     
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  5. Octavian

    Octavian Forum Resident

    Location:
    Louisiana
    I get that he was trying to emulate the mono, but I feel like it hurt him and the mix. If I wanted the mono sound/intensity, I'd listen to the mono. I wouldn't listen to a stereo record that tries to sound mono.

    He had a chance to remake the stereo mix but tried too hard to make it mono.
     
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  6. Bern

    Bern JC4Me

    Location:
    Allegan, Michigan
    Richard Lush brings that exact point at the 3:30 mark in the video.
     
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  7. Octavian

    Octavian Forum Resident

    Location:
    Louisiana
    Being For The Benefit of Mr. Kite went from DR6 to DR9 from the CD to the Vinyl.

    Here are the waves:

    CD:
    [​IMG]

    Vinyl:
    [​IMG]
     
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  8. stevemoss

    stevemoss Forum Resident

    The stated intent of the remix was to capture, in stereo, the feel of the original mono mix.

    If you're satisfied with the mono mix, you've already found what you like.

    But expecting the remix to not conform to its goal? That's not realistic. You're setting youself up for disappointment.
     
  9. Octavian

    Octavian Forum Resident

    Location:
    Louisiana
    But the problem is that he tried so hard to add an effect to the stereo that only really sounds good with mono. The crunchiness of the mono mixes sounds great because it's mono.

    When you open up the mix, it allows the instruments to breathe, and you don't want to hear the crunchiness of mono.

    This is all my opinion of course. I don't mind that he tried to emulate the mono dynamically and the effects.
     
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  10. Octavian

    Octavian Forum Resident

    Location:
    Louisiana
    So I'm currently doing an entire listen to the vinyl version, and to me it just sounds better. I might try to de-click it using iZotope and just use it as my main version.

    There is still compression, but as some others have stated before, it might be mostly compression that was already in the tapes and was amplified in the new mixes.

    Obviously there is some as the vinyl has less DR than any previous versions, but it isn't bad. I like it and I wish the CD's had this mastering.
     
    MicJames likes this.
  11. The Beave

    The Beave My Wife Is My Life! And don’t I forget it!

    Thank God somebody finally said this!!!! Thank you!!!
    One of my pet peeves about most of the early albums was 'Where the hell is the bass'?
    I believe you are spot on!
    Beave
     
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  12. Derek Gee

    Derek Gee Senior Member

    Location:
    Detroit
    Maybe the collector who supplied it to Giles didn't know it was counterfeit?

    Derek
     
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  13. fitzysbuna

    fitzysbuna Senior Member

    Location:
    Australia
    can I ask a question? did anybody here cancel their orders after seeing some of the reviews here?
     
  14. Not me. Exactly the opposite.
     
  15. Clonesteak

    Clonesteak Forum Resident

    Location:
    Kalamazoo, MI
    I am with you morinix. I bought the vinyl of this album after reading this endless forum of Beatles Sgt. Pepper.
     
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  16. MicJames

    MicJames Forum Resident

    Location:
    Seattle
    Although I don't like the fact that the hi-rez discs use the more peak-limited transfer, I would still probably have purchased it had I known in advance.

    It's still a new take on Sgt Pepper, albeit more crammed sounding than the vinyl, still has great outtakes, the original mono mix/master (w/o further dynamic compression added, I believe), good packaging, and a great book.

    That's not quite answering the question you asked, but it's as close as I can get having ordered before any reviews been read.

    The tragic irony is that this mix of Pepper is so different and interesting that it makes you want to hear it in it's full glory... hence pissing you off that it's too opaque from the added compression to ever really be able to.
     
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  17. Grant

    Grant Life is a rock, but the radio rolled me!

    I'm kind of wondering if this forum will survive the tsunami if Giles does remix The White Album. I'm cringing in horror just thinking about it.

    Think about it: Giles has to remix something. If he doesn't, he'll have nothing to do, and he is charged by The Beatles to do stuff, to keep the catalog selling. He's going to remix something. I'd prefer him to overhaul the "Let It Be" album and leave the others alone.

    One project i'd like to see him do is create a U.S. singles comp with the original MONO single mixes.
     
    Last edited: Jun 11, 2017
  18. This.
     
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  19. fitzysbuna

    fitzysbuna Senior Member

    Location:
    Australia
    I hear they are going to do an elvis type orchestra album for the next release
     
  20. Grant

    Grant Life is a rock, but the radio rolled me!

    More like an alcoholic hi-ball with 1000 mg of caffeine.
     
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  21. Lance Hall

    Lance Hall Senior Member

    Location:
    Fort Worth, Texas
    This must be the most misguided remix of a classic album.

    I don't even consider the remixes good from an objective viewpoint.

    "Getting Better", "Being...Mr. Kite", "Good Morning, Good Morning" are unlistenable.
     
  22. Grant

    Grant Life is a rock, but the radio rolled me!

    I just had a sickening thought of Elvis Presley singing "Lucy In The Sky With Diamonds".
     
  23. fitzysbuna

    fitzysbuna Senior Member

    Location:
    Australia
    can't be as bad as William shatner!
     
    Last edited: Jun 11, 2017
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  24. Tommyboy

    Tommyboy Senior Member

    Location:
    New York
    The MFSL edition of Pepper has the treble goosed and a lot of bottom end, but not much midrange. I'd take that pressing out of the equation, regardless of what the average DR range is.
     
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  25. Maidenpriest

    Maidenpriest Setting the controls for the heart of the sun :)

    Location:
    Europe
    Why is Apple so obsessed with recreating the mono all the damned time :( I personally suspect because they do not have the skills to make the original stereo any better so have this stupid 'lets recreate the mono' excuse, just do a nice new modern stereo mix Giles Martin ?
     
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