Bob Dylan, The Supper Club NY, November 17, 1993, first show... ooooeee sweet never sounded so sweeet... since Good As I Been To You and World Gone Wrong are among my favorite Dylan takes on country blues.
Bus has left the Garden, now there's a great big clipper ship taking me to this land here or that, but I can't find my sailor suit, or my cap. Dream Syndicate will take me to just the place or that... opening up with See That My Grave Is Kept Clean /; { guitar chaos take me home. And there's two white horses following me I got two white horses following me Waiting on my burying ground ``blind melon
I'm not sure that you like it because I do, but I take your point. It's a great release. I think I prefer their second album, Unrest, a bit more, but it's more hit and miss, but the hits are spectacular. Legend is more consistently excellent, but Unrest goes places that Legend doesn't. Plus it has Lindsay Cooper, who I consider critical to the essence of Henry Cow.
Carlos Garnett - “Mother of the Future” Track taken from the album Black Love released on Muse (1974) ft - Carlos Garnett (saxophone); Dee Dee Bridgewater, Ayodele Jenkins (vocals, background vocals); Carlos Chambers (vocals); Reggie Lucas (electric guitar); Mauricio Smith (flute); Charles Sullivan (trumpet); Onaje Allan Gumbs (piano); Alex Blake, Buster Williams (bass); Billy Hart, Norman Connors (drums); Mtume (congas); Guilherme Franco (percussion).
What annoys me is that this became Hazard Profile in 1974 with Holdsworth in Soft Machine. I dunno, let the original lie at rest and exist and do something else.
Yep, it's more generic, so to speak. Allan Holdsworth is one of those musicians that don't say much to me in spite of being technically impressive.
Wow that is fantastic. Holdsworth's playing is sick. I get docking some points regarding originality.
I think I would disagree on that especially on this stuff which is pretty raw for him. Technically impressive in a good way.
I hardly ever sell items from my collection, but I sold the Allan Holdsworth box set, which I had bought when it was released, last year. I tried, I swear, but I found it technically impressive and not more than that. Obviously, he was artistically honest and his goal was not showing off. In fact, he was a humble fellow who didn't care for stardom. I think that the only albums I have featuring him now are the debut album by UK and the albums he did as a member of Bruford.
No worries, different strokes as they say. I don't love all of Holdsworth's stuff, usually the rawer the better for me.
Trying to decide what to crash to. Was thinking of Lou Reeds Berlin but not sure if I'm quite in that depressive mood yet...
Yes, and also disturbing, particularly if you believe in the story that the kids whose crying is featured in the song (Bob Ezrin's children) were supposedly told their mother had died to get a believable performance. Personally, I don't believe it at all.
