I’ve noticed that a lot of my white label promo records sound especially bright. I thought this was a coincidence, but have seen the same happen time and again. Even Columbia six-eye pressings sound shrill. Were these things cut brighter for radio stations? Do the first pressings sound more balanced? I know it may be tough to assess without a sample. How about the “Death Wish” soundtrack, by Herbie Hancock? I always though people sought out promos because they sounded even better than first pressings, not just for the label fetish. Anyone know?